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Join Martin as he takes us along to his weekly therapy session with the Grateful Dead. Read More >>
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The Grateful Dead - “So Many Roads”
7.9.95 - Soldier Field, Chicago, IL
It’s been 15 years since the last Grateful Dead show. Take a moment to remember one of the most moving, soulful musicians in American history today. Even at his weakest, his soul shines through in this amazing version of “So Many Roads.”
Morning, Freaks!
Aloha, Shalom, Cheers and all that good shit! It’s been a long time since we’ve talked, huh? I hope you’re well. Quite sincerely, I do. Just took some time off and kind of forgot about the world for a few minutes, caught up in my own life, some new friends, one of them a very close one, and life’s roller coaster of twists and turns. Been spending most of my time just working, gardening and basking in the sunlight that is a South Carolina summer. Honestly, it’s hot as fuck down here. When you go outside, it feels like you threw a wet blanket on your back. Well a bunch of you are on the road at present. Both the Phish and the Panic are off and running. WSP is burning down Red Rocks this weekend and the Phish are beating up the Northeast, slowly making their way south and leaving a bloody pulp of smiles and awe in their wake. I can tell you that I haven’t been this excited about a Phish tour in many, many, many years…. the tapes don’t lie…I’m expecting straight heat by the time those fools get to Charlotte. They’re connecting….not ’97 connecting, but Trey’s good health and fervor are leading the way to great things. The Panic has been on a short Spring break, but they should bring the fire to The Rocks this weekend. They, too, are a brand new invigorated pack of wolves, with a new album taboot…that ain’t half bad. With every tour, Father Time (Jimmy Herring) melds more and more, taking the band to new places. I won’t say new heights, but I will say new places. So to y’all, that are out on the road like a caravan of vagabond gypsies with the same common interest of sweet summer sunshine, good times and the chase for that rare musical epicness, please be careful. Don’t hesitate to enjoy yourselves…you deserve it. Text me setlists and pictures of your dilapidated smiling asses from near and far, and whatever you do, don’t call me for bail.
A bunch of you know I grew up in the metropolis of Chester, VA. Most of you know it because it is located right beside Enon…another metropolis, and absolute braintrust of intellectuals. I sense sarcasm. Correct. Enon and Chester have never really been know for kicking out rocket surgeons into society, or been a real hotbed for world leaders, generous philanthropists, world renowned artists and thinktank of academics, and the sort, but worry not, one thing we do know is that the twin cities know how to party, possibly like nowhere else I’ve ever been and know great music. Ne’er a day passed when I wouldn’t leave my j.o.b. at the local Subway sandwich shop (I was a sandwich artist, you know), take a bong hit out of the V05 shampoo bottle bong that we hid on the top shelf over the slicer near the three compartment sink, blow the smoke into the walk in freezer, get in my beat up 280zx and head off to the park to a virtual rodeo of camaros and mustangs, 4 wheel drives and girls showing a lot of skin, joints, brown liquor, and Milwaukee’s Best flying around the circle so fast, it didn’t matter if you caught it this round, because there was certain to be another directly behind it. If you needed a break for a minute, you took a break. Nobody scoffed. There were cool kids, cheerleaders and football players, band geeks and german club presidents, squares, sluts, heads, future lawyers and future prisoners all in one place at one time, partying and enjoying each other’s company. There was safety in numbers and this park was off the beaten track, down a twist and turn of roads that I couldn’t find now if my life depended on it. Shit, I could barely find it then. Car Stereos cranking Zep, the Sabbath, Halen, the Floyd, and our beloved Grateful Dead. You ever see the movie Dazed and Confused? Yeah?….well that movie was based on Enon. The foosball parlor? Chester….Party at the Moontower? Enon. Marijuana on One, Reefer on Two…and all that good shit. I wouldn’t change a thing. The only time the park really shut down its party was when the Dead came to town. Chee-non is in kind of a central location for the Dead concert season….easy to hit RFK, Jerryweather, and Cap Center to the North, The Spaceship to the East, Carter Finley and Raleighwood to the South. So, when they were in town, the party moved.
Well today marks the anniversary of another special show I attended with someone who is very dear to me…my lil bro. Kid has been a rock for me over the years. When I need someone to lean on, he’s not far away. At least, I’m pretty sure I attended it with him. That decade is a little foggy for me. I can’t imagine why. Typically, ‘90’s shows weren’t a whole lot to write home about. Mostly junk…midi and teleprompters, with an occasional spark of inspiration and genius. Bobby pushed hard on the band as its makeshift engineer in Jerry’s mental absence and drug haze, but couldn’t be the engine for his road weary aging teammates in his Op shorts and tanktop uniforms, and at this time, core with some subs (they tried real hard, but didn’t quite have the allotted play time needed to connect to the real vibe of what had made this band greatness. They couldn’t quite find the heart. It wasn’t their fault, though. It was timing.) I remember when we first heard the rumor from the road that Vince was going to be the new “keys guy”. First, were like who the fuck is that? Is that guy from the “She’s a Beauty” band? Anyway, cool video. You remember…the creepy fun house video. ( http://www.youtube.com/watch?v=mQ_k_VG6Syc ) Lots of nip slips in that thing, huh? YAAAYYYYYY, MTV!! So, anyway Vince turned out to be a really cool guy and fit in well with the family, like when your sister brings her new boyfriend to his first family reunion at your parents house and he’s the one that pulls you aside and asks you if you want to smoke a joint. He brought wonderful new jazzy harmonies to the band and some unique tune penning. His addition is clear in the following show with its double jointed second set opener of BOX>RAIN, then SAMBA later in the set.
This show wasn’t brilliant by any means…but, it was better than ok. Little did we know, it would the last time the Dead would play RFK. A stadium that historically they had completely destroyed. See 6/9/73 and 6/20/92. Tell me what band can do a stadium tour every year and sell out two nights in a row…..that’s right, you can’t name one. The ’92 Shenandoah space quite possibly may have been the most beautiful pieces of art I ever heard the Dead play live, especially when the train airhorn blasted and banged into a phenomenally rare 90’s St. Steve. It was always scorching at the summer RFK shows. The lot felt like home to me, the thick hot smell of patchouli, kind bud and B.O., naked sundrenched bodies taking showers in the lot at the provided makeshift showers, the colorful sea of tents, VW buses, smiles, lots of smiles, and the drum circles under the bridge will forever be etched in the attics of my mind. At points, they were magical. If you were there, you know what I’m talking about. There was something about the echo and reverb of the drums bouncing off the cool steel of the bridge, while we stood on the big round rocks of the river in the cool shade. There was none of this puppy pulling, nitrous mafia, flat brimmed bullshit there is today. Sometimes I just want to kick those dumbasses right in the face. Maybe I just need to shake them and say “Don’t you get it?” Maybe I just need to love them, like my yoga practice would dictate. I know…Whatever, Hippy. The scene was centered around the music, not the drugs, and it was good. On this night, we were expecting rain…and rain it did. It thundered, it lighteninged, it poured….and we boogied our asses off, me and Mattu. Rain or shine…we dance. The band rewarded us with the rain theme in the second set. They let us know that they were thankful for our devotion. It was BIG and it was GRAND and it HAPPENED and we were THERE.
I’m not gonna hit you with a bunch of show notes today. Well, only one…I think Jerry’s voice is super cool on Rollin’ & Tumblin’…and it’s a rare tune. Also check out the jazz/midi horn parts in the Shakedown opener. It’s fabulous!
Get yourself a tea and cop a squat. Plug ‘n play here:
http://www.archive.org/details/gd95-06-25.sbd.2236.sbefail.shnf
06-25-95 Robert F. Kennedy Stadium, Washington, D.C. (Sun)
1: Shakedown, Wang Dang Doodle, Jack A Roe*, Mama Tried@*> Mexicali@*, Loose Lucy, Picasso Moon*
2: Box Of Rain, Rain, Samson, Ship Of Fools*, Truckin> Rollin & Tumblin*> Samba> Drumz> Wharf Rat*> NFA E: Brokedown*
*final version with Bruce Hornsby on grand piano - Bob Dylan opened - soundcheck: “St. Stephen” - Jerry Garcia played on “Train To Cry” and “Rainy Day Women” of Bob Dylan’s set
See you all at the Phish in the ATL on JULY 4th…AMERICA, FUCK, YEAH!!!
You guys mean everything to me. Wherever this weekend finds you, may it be safe and exactly what you were looking for.
Enjoy! And thanks for coming with me to therapy today.
m-
This show is not for the “faint of heart”. There is a lot of anguish in Jerry’s voice.
SBD Link is here:
Funky Bitch, While My Guitar Gently Weeps - Phish (w/ Warren Haynes)
12.11.95 - Cumberland County Civic Center, Portland, ME
While the MSG dates this fall promise an epic throwdown, the early sleeper favorite has to be the Cumberland County Civic Center in Portland, ME. Just 6 hours away from the what many Phish fans must consider the farthest point in the world (aka: Loring Air Force Base), CCCC has played host to some great Phish in the past.
This one comes to us from infamous Fall ‘95 tour, in a show that featured a rare Guyute/My Friend My Friend combo and an introduction to Dog Log.
Dueling guitars galore, Warren and Trey tear these covers a new one. Take that, Southern Heat!
Free - Phish
11.22.95 - USAir Arena, Landover, MD
sparky, donvan, pat, and i set off on the 19th to charlotte, nc for what would be the beginning of a long obsession with seeing live phish for all of us (except for sparky, who had been hooked for a while). we caught charlotte and winston-salem together, with a night off in-between. the trip was loose. it was an amazing introduction to the scene, and i have many fond memories from this whirlwind trip. friends > music > other.
i ended being the only one out of the previous crew going to USAir. the group i wrangled together was a mixed bag. i convinced my girlfriend (now wife) to go, along with a good friend from high school who was with me at my one and only dead show the summer before. my girlfriend’s best friend tagged along (a huge deadhead who did not care for phish). and some other folks from high school. it was memorable, but in different ways. i really did not recall much of this show until i listened to the recording. the show is really good. even better than what i did remember. this Free is a standout. enjoy.
** random memories / fun facts from my first mini tour **
my girlfriend was still hungover from her 21st birthday earlier in the month, and was not happy i was going away for 3 days. remember, this is 1995 folks! and i did not have a cell phone, which meant communication was going to be tough. at best, collect calls from a convenient pay phone. and, there were no special stops for convenient pay phones on this trip.
this was probably the very first time i got to hang out with our good buddy donovan.
we got slow version Poor Heart debut in charlotte, Take Me to the River debut in winston-salem, a young and weird lot scene, and the band vs audience chess game was in full swing.
it was really hard to get into USAir. security was terribly tight. most of us got split up trying to get through the gate. once we were in, we realized that that venue was only good for hockey games. the acoustics, not so good.
Reba - Phish
5.16.95 - Lowell Memorial Auditorium, Lowell, Massachusetts
Tomorrow marks the 14th anniversary of one of the best Rebas ever played, a true gem from a rare show. Phish played an extended one-set charity show for Gloria Steinem’s Voters for Choice that was uncharacteristic both in its length and format, as well as an endorsement of a political cause the band collectively supported. Phish.net reviewer John Wood said at the time:
“While there were no bad incidents to my knowledge, Mrs. Fishman told me during the day that there were a few Pro-Life protestors around Lowell in response to Gloria Steinem. She ended up not roaming the streets during the day, because she was nervous of being confronted by those protestors. But now to Vermont’s Phinest! Phriends, they are going to kick *major* butt this Summer, as they premiered 9 new songs last night, 6 of them originals.”
Indeed, they did play a surprising amount of original material, very fitting for such a unique setting. What’s uncanny to me are the circumstances in which this fantastic show took place and the situation that will roll into Fenway Park just two weeks from Sunday.
Geographically both shows are taking place in the band’s familiar stomping grounds of New England, specifically Massachusetts. And in both cases the band are playing in settings and around causes they haven’t in the past. While in 2004 Phish did play Brooklyn’s cozy Keyspan Park, the experience will be much larger and more unique this time. It will be a privilege to see Phish at one of MLB’s most hallowed ballparks with the majesty of Kuroda’s light show bouncing off the Green Monster to the delight of almost 35,000 fans.
The question, however, is what new material will Phish bring to the game? Will we arrive to some polished new songs that were put down in an NYC studio last month? And what covers can we expect to come into the mix? It would be an excellent environment to drop some surprises on both fronts (I’m rooting for Boston’s Foreplay/Longtime). I hope they push the boundaries early in this tour to establish a new identity, while moving gems from the past into the mix in interesting ways. As most fans know, this is a band that really picks up momentum on the road, and this tour is promising a variety of opportunities to move it off the charts. Summer tour is upon us.
Setlist:
Don’t You Wanna Go*, Ha Ha Ha*-> Spock’s Brain*, Strange Design*, Reba, Theme From the Bottom*, HYHU-> Lonesome Cowboy Bill*-> HYHU, Free*, Glide II*->You Enjoy Myself, Sweet Adeline, Sample in a Jar
E: I’ll Come Running*-> Gloria*#
*First time played (publicly)
#One verse only; for Gloria Steinem
If I Could - Phish
7.1.95 - Great Woods Ampitheater, Mansfield, MA
If I Could has always been one of my favorite Phish ballads. For a band with often very nonsensical lyrics, this one stands out. The song’s lyrics and music were both written by Trey, who wanted to cheer up friend Amy Skelton after a breakup she was struggling with.
This version of note because it features the beautiful guitar intro that was part of the original version of the song but only briefly teased before Antelope on 12.29.93 and played at this show. Versatility in both taste and performance has always been one of the band’s strongest assets, and this is a beautiful example of that appreciation for music that moves not through tension and release, but through melody and thoughtfulness.
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