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Phish
November 23, 1997 - Lawrence-Joel Coliseum, Winston Salem, NC
Phall ‘97. Need I say more?
I often find it hard to explain to people - be it friends, family, colleagues, strangers - why Phish is my favorite band, why I see them as much as I possibly can, and why I love their music and community.
A major reason for my devotion stems from my first festival experience when I was 18 years old. I had just graduated high school, and road tripped by myself from Indiana out to Pittsburgh, Philly, and then all the way up to Limestone, Maine for the IT festival. Over 70,000 people showed up, and I was just one of them.
It took me 27 hours to get from Philadelphia to my parked spot on the abandoned runway. I knew no one there (at the time), and I was a n00b having seen less than 10 shows. Yet, everywhere I went, I met wonderfully nice people who took the time to get to know me, congratulate me on going to such great lengths on my own, and just sharing in what they already loved.
A few really nice people brought me up to the rail and I saw both days from the first few rows, in total awe of how far I’d come all by myself, how great the music was, and how unique the culture was. It was a life changing experience, a rite of passage, almost as if I’d opened up a door where so much could be found.
Since then I’ve made countless friendships through Phish and their music, and continue to almost everywhere I see them. Because of Phish there is The Butter Room, and because of The Butter Room, I now have dozens more friends that I never would have met or known about any other way. It’s also opened up some great business opportunities in the last year that most people wouldn’t think exist in some pseduo-hippie community that many think centers around drugs (which is simply not true).
And unlike the last festival which was supposed to be the band’s final concerts - and turned out to be a complete and utter disaster resulting in me walking over 15 miles - this weekend will undoubtedly go down as a success on many different levels.
Over the past week, Sirius has been running “Festivalography” which is a radio documentary with interviews from the band members and music from the various festivals. Part one tackles the band’s first two festivals, and over the next 3 nights I will be posting the remaining episodes, leading up to this weekend’s first ever Halloween festival.
Even if you’re not a Phish fan, have a listen because I think you’ll find that there’s a unique cultural aspect in their festivals that exists nowhere else today - or over the past 15 years. No other band can throw a festival of their own, gear the experience to their own community, and foster such positive and meaningful experiences for all involved. It’s incredibly special and I’m so excited for the music and memories that I’m going to share with many of my close friends.
(via trappedintime)
Carini -> Black Eyed Katy -> Frankenstein - Phish
12.30.97 - Madison Square Garden, New York, NY
In honor of the 2009 throwdown that will inevitably have the Garden buckling under the weight of Gordo’s bombing, we have brought you some dirty, straight up evil funk nasty on Phish Friday. Carini gets up in your grill while the instrumental version of Moma Dance (Black Eyed Katy for you n00bs) gets down to business, even tossing you a Sneakin’ Sally tease before launching into a Frankenstein face fuck that concludes in Fishman dissonance on the vacuum before the big finish.
Evil. Phish.
Five of the nine butter room residents were out on Wednesday night, and naturally the conversation turned to Phish, specifically about Mike’s Song. Lucky for us (and now you), Sparky reminded us of a hidden gem: the 12.13.97 “Bring in the Dude!” Mike’s Song. The band chants “Bring in the Dude!” throughout Mike’s, but they aren’t referring to the Dude of Life.
Black-Eyed Katy - Phish
11.22.97 - Hampton Coliseum, Hampton VA
This is the second part of Being There: Hampton ‘97. Click here for Part 1.
The 22nd was my first full day at a Hampton Coliseum show. We arrived late on the 21st, so I finally got to truly soak in the Hampton scene. We got a spot in the lot, and I recall listening to my beloved Hokies lose to Pittsburgh on the radio. Oh well. I wasn’t going to let that damper my spirits. I also recall listening to the JGB double live disc all weekend. Damn, that is a good album.
11-22-97 was one of the best live shows I’ve ever seen. Phish delivered an opening round knockout punch with “Mike’s > H2O > Weekapaug” followed by “Harry Hood”. After they closed set one with the cover combo of “Frankenstein > Izabella”, one of my buddies declared that it was a hell of show and began heading for the exit. He was not kidding. It was that intense and that good.
I do recall wondering if Phish would deliver the goods in the same funkified fashion as the night before. Fall ‘97 was only a week old at this point. Of course, they did and second set was another Fall ‘97 classic. I really enjoyed the jam out of “Tweezer”, which is my feature mp3 here. Over time, “Black-Eyed Katy” eventually morphed into “Moma Dance”, one of my favorite tracks from The Story of the Ghost. The set closed with an insane “Antelope”, and the only disappointing musical moment of the night was the “Bouncin > Tweezer Reprise” encore, but it didn’t really matter.
The weekend at Hampton had come to a close, but lucky for us we were making the trek down South for another show at Winston-Salem!
Emotional Rescue > Split Open & Melt - Phish
11.21.97 - Hampton Coliseum, Hampton VA
My first trip to Hampton Coliseum was November 21st and 22nd, 1997. As I get set to embark on my fourth trip to the spaceship, this was by far the best trip of the them all. I’ll be honest here. My memory of this weekend is very very hazy, so this post is going to be short. We had a hodgepodge of a crew and stayed in two different hotels. I recall the drive from Blacksburg being a white knuckle experience. The car I was in only had one working windshield wiper and it was on the passenger side. Of course, we were driving through a torrential downpour.
We missed the “Emotional Rescue” opener, and came in just at the end. Sucks for us. Thank goodness for the tapers. I recall my roommate Kenny passing out cold inside the show. He turned out ok. Can’t recall any other details of the night. It was a good night.
Back to the show opener though. Of course, the Rescue was a complete surprise, but it’s the SOAM that is the highlight of Set 1. This is the best SOAM that I have seen live. Complete mayhem coming out of Trey’s guitar towards the end of the jam.
As most of you know, Fall ‘97 was a monumental tour. The second set from the 21st is a prime example of why. The “Ghost > AC/DC Bag” totaled about 45 minutes, and then Phish segues into “Slave”. Pure sickness, which was the norm in the Fall of 1997. “Loving Cup” and “Guyute” closed the show, which in 1997 were treats as they had yet to reach “often played” status.
Back to my faint memories of the weekend … Sometime during the trip, our crew discovered Harpoon Larry’s. It’s a Hampton dive, and became an instant favorite. Check out their website. It will take you back to 1997. I hope Graham and I have time to swing by there on Sunday. Might be tough though. I *think* we hit Harpoon Larry’s after the show on the 21st for beers and crawdads, but maybe that was the next day before the show. Anyhow, if you want a true Hampton experience, give Harpoon Larry’s a try this weekend.
I’ll post my few memories of the 22nd tomorrow. Enjoy!
Ghost - Phish
7.23.97 - Lakewood Amphitheater, Atlanta, GA
If you haven’t heard this Ghost, you’ve been missing out. It finds Phish not only at their peak for with this song, but also in full force in the middle of perhaps their pinnacle summer tour. The funk is oozing fast and hard from the beginning of this one, and quickly morphs into some super smooth, spacey disco goodness. From there it’s just GAME ON, with the hose coming at you full force. This is Phish at its phinest.
When The Circus Comes To Town -> David Bowie - Phish
2.20.97 - Teatro Smeraldo, Milan, Italy
Today marks the twelve year anniversary of an amazing show from Phish’s 1997 winter Euro tour. I was always impressed with Phish’s decision during the late ‘90’s to invite their fans along to far off lands and initimate venues when they were already capable of selling out every major U.S. amphitheater and arena. Not many bands of their size or stature would dare to play fifteen shows abroad in small venues, rather than large festivals.
I love this particular selection because it highlights the contrast of musical styles that Phish thrives on. A slightly sentimental song about life on the road, the traveling circus that is the Phish caravan sliding into a staple of what brought them to that point in their career - a magnificently composed piece of humor with improvisational peaks and valleys. Who isn’t excited about the circus coming back to town?
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