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Tom Marshall has been posting on Phantasy Tour lately, and also writing some songs with Trey Anastasio. Many members of PT asked Tom if he could pass along an interest from fans to bring back his Ross Compressor, which was lost in post-hiatus Phish, and contributed to one of the most unique guitar tones in the history of rock. Tom was gracious enough to bring the matter up with Trey, and reported back to fans on the guitarist’s plans for his rig once Phish returns:
Ok, I spent the last two days and last night in new York writing three cool songs with Red. In direct response to msharky’s request, I asked Trey what the deal is with this compressor stuff? I explained the PT threads requesting that he bring back the compressor. i asked, first of all, is it true — did you change your rig and eliminate the compressor?
Yes, is the short answer.
He was very surprised that I was asking him this, because I’m not really a “tech” guy…you know? I’m very appreciative of his amazing Languedocs, (he had a Languedoc bass with him too) and I like checking out his amps and pedals and toys, but I usually don’t dwell on it, not being a guitarist myself. I also don’t listen too much to old shows, and so the “tone change” was lost on me. I like writing new songs, and I don’t focus too much on the past.
I asked him to explain the Ross compressor, and why it’s gone.
(One caveat: I didn’t write this “interview” down or record it, but I suppose I should have, and I guess I or someone should try to do so and post it at some point, so forgive me if I get some stuff slightly wrong or miss something. Again, this isn’t the end of the issue as you’ll see later, so we can figure everything out eventually.)
First i must explain that he found it funny that I brought it up, because he had been thinking the EXACT SAME THING: Phish is coming back, maybe the Ross should also come back. He’s thinking of the Mesa and possibly the cabinets too — but he does like that little fender.
Basically, he used the compressor differently than people normally do — often people will place it early in the effects chain to smooth the sound going into the other effects. Trey did it backwards, and had the Ross last — AFTER his two tube screamers. The Ross was always on. Always. His signature Squirming Coil “playable sustain” was the result of full volume pedal and both screamers on and pumping that signal into the Ross.
Me: and so you got rid of it?
Trey: I started playing without it after Phish and found that I could get an “edgier” sound that I can’t get with it.
Me: so it’s gone? or just off?
Trey: gone
Me: forever?
Trey: no, I’ve been thinking of bringing it back for a while now…if i can find it!
Anyway — I think that’s the gist of our conversation. Be glad that perhaps you made a difference — he’s at least happy that people are asking about it.
You can read the original post here, but the news is quite positive for a return to one of the most pure guitar tones as Phish re-emerges in 2009.
Live Nation drops the ball.
It seems the issues with Phish’s ticket sales are systemic.
Search for my tweets and you’ll see how I feel about it. I live 20 miles from Hampton and won’t see a single show because of this mess about tickets. I would have been willing to pay the band and their orgs a market price, i.e., more than the current face value. Instead my choice is pay scalpers hundreds of dollars or don’t go. Maybe we should look at an auction system…I admit I don’t have the answer.
Perhaps this (bitterly) funny parody, “Cross-eyed and Painful” does. Key phrase: “Come back TicketBastard. All is forgiven.”
“We have heard from many fans regarding this past weekend’s onsale…”
Bonnaroo has announced the official 2009 festival lineup for June 11-14. Bruce Springsteen & The E Street Band, Phish, and The Beastie Boys will headline the festival. In addition Phish will also play a very special late night set. This will be the only festival Springsteen or Phish will play this summer.
We believe from a source close to the festival that The Beastie Boys will headline Friday night followed by Phish late night. Saturday The Boss will headline and NIN will play afterward. Phish will then close the festival as the last show of the festival on Sunday evening.
The complete lineup:
Bruce Springsteen and the E Street Band
Phish (2 Shows)
Beastie Boys
Nine Inch Nails
David Byrne
Wilco
Al Green
Snoop Dogg
Elvis Costello Solo
Erykah Badu
Paul Oakenfold
Ben Harper and Relentless7
The Mars Volta
TV on the Radio
Yeah Yeah Yeahs
Gov’t Mule
Andrew Bird
Merle Haggard
MGMT
moe.
The Decemberists
Girl Talk
Bon Iver
Béla Fleck & Toumani Diabate
Rodrigo y Gabriela
Galactic
The Del McCoury Band
of Montreal
Allen Toussaint
Coheed and Cambria
Booker T & the DBTs
David Grisman Quintet
Lucinda Williams
Animal Collective
Gomez
Neko Case
Down
Jenny Lewis
Santogold
Robert Earl Keen
Citizen Cope
Femi Kuti and the Positive Force
The Ting Tings
Robyn Hitchcock & The Venus 3
Grace Potter and the Nocturnals
Kaki King
Grizzly Bear
King Sunny Adé
Okkervil River
St. Vincent
Zac Brown Band
Raphael Saadiq
Ted Leo and the Pharmacists
Crystal Castles
Tift Merritt
Brett Dennen
Mike Farris and the Roseland Rhythm Revue
Toubab Krewe
People Under the Stairs
Alejandro Escovedo
Vieux Farka Touré
Elvis Perkins In Dearland
Cherryholmes
Yeasayer
These photos were taken last night for todays New York Times article about the Phish reunion. Jay Paul took the photos. You can see his work at www.jaypaulphoto.com.







Set 1
1. Fluffhead (Last Time Played: 9/29/00 - 69 shows)
2. Divided Sky (8/11/04 - 3 shows)
3. Chalkdust Torture (8/15/04 - last show)
4. Sample in a Jar (8/14/04 - 1 show)
5. Stash (8/14/04 - 1 show)
6. I Didn’t Know (12/31/03 - 18 shows)
7. Oh Kee Pa Ceremony > (6/17/04 - 14 shows)
8. Suzy Greenberg (8/11/04 - 3 shows)
9. Farmhouse (7/29/03 - 30 shows)
10. NICU (8/9/04 - 5 shows)
11. Horn (8/12/04 - 2 shows)
12. Rift (6/20/04 - 11 shows)
13. Train Song (5/23/00 - 109 shows)
14. Water in the Sky (6/20/04 - 11 shows)
15. The Squirming Coil (6/24/04 - 8 shows)
16. David Bowie (8/14/04 - 1 show)
photo courtesy of phishfromtheroad on flickr
Set 2
17. Backwards Down the Number Line (debut)
18. Tweezer (8/11/04 - 3 shows)
19. Taste (8/15/04 - last show)
20. Possum (8/15/04 - last show)
21. Theme from the Bottom (8/10/04 - 4 shows)
22. First Tube (12/31/03 - 18 shows)
23. Harry Hood (8/14/04 - 1 show)
24. Waste (6/23/04 - 9 shows)
25. YEM (8/14/04 - 1 show)
photo courtesy of phishfromtheroad on flickr
Encore
26. Grind (12/30/98 - 178 shows)
27. Bouncing Around the Room (8/11/04 - 3 shows)
28. Loving Cup (8/9/04 - 5 shows)
Thanks to Matt, Eugene, and Sparky for the texts from the inside. See you Sunday!
I don’t have time for a full review at the moment, but will have more details later in the weekend. To put it mildly, last night was something special. Phish launched into an epic first set that lasted 1:55 and brought it home with a really edgy second set, ripping into Tweezer and Possum different than ever before. Ready for more tonight!
It finally happened. After almost five years of what-ifs, predictions, and wishful thinking, the “I’ve been calling Fluffhead for years” crowd can finally say they guessed right. Friday at Hampton had, without a doubt, the most hype of any concert that I have attended. So much that it seemed impossible that the show could actually live up to it. Yet right from the beginning, it was quickly clear that they had every intention of exceeding expectations and making the reunion show an epic experience.

The energy in the room leading up to the opener was incredible. In the parking lot before, what seemed like 75% of the crowd had been firmly planted in line since the gates opened at 2:30. When doors opened at 6:20, people raced in at a full sprint to claim their spots. The Mothership buzzed with excitement, with fans getting to know their neighbors and making final predictions for the all important opener.
Then the lights went down.

Following what seemed like 5 minutes of deafening noise, the band kicked off a monstrous first set with an almost flawlessly executed Fluffhead. It was the perfect choice, and set the scene for a first set fully loaded with crowd favorites and traditional Phish antics. The 16 song, 114 minute set was full of highlights, including an I Didn’t Know with Fishman on vacuum and Trey on drums, a powerful jam during Rift, and a David Bowie that cleared up any doubts that the band was back in full force.


The second set was pure fire. From early on, while the entire band seemed visible more comfortable and confident on stage, Set II belong to Mike Gordon. Backwards Down the Number Line, the (according to the New York Times) solo new song to be debuted at Hampton, was a great catchy tune with a powerful jam which quickly proved to be a crowd pleaser. The Tweezer brought the funk and the band never looked back. Songs like Possum, First Tube, and Harry Hood had the crowd dancing. They also pulled out some tricks, such as the disco ball jam during Hood, and the return of the YEM trampolines.

Throughout the show, they took a new approach to most songs, in some cases playing the composed sections straight up during parts that traditionally included a jam , while infusing powerful psychedelic jams in places you would never expect. What stood out the most was the change in jamming direction and style coming from the band. The sound was clearly different than what we have come to expected. It was a combination of post-hiatus experimentation and the laser focus and direction of the mid ‘90s.
There was a noticeable sense of nervousness coming from the band. During Suzy, Paige jumped into a solo that was so fast it caught the band off guard. At other times, Trey would miss a riff or forget a lyric. Still, these were all minor, and instead of taking away from the music, provided some great laughs for the band and audience alike. As the show went on, they seemed more calm and confident. And though Trey had to call a Coventry-style mulligan 30 seconds into YEM, the second attempt was as good as any.
The encore kicked off with a rare Grind (acapella), followed by a Bouncing Round the Room which included gigantic balloons (which had been hanging and used throughout the show as part of Kuroda’s fantastic light show) falling from the ceiling and being, well, bounced around the room.

Where Coventry was watching your (or mine, at least) favorite band falling apart, Friday night was like watching them rebuild themselves. Truly an emotional and almost unbelievable experience, and there is only more of that to come this weekend.
Set 1
1. Back on the Train (last time played: 6/24/04 - 9 shows)
2. Runaway Jim (8/14/04 - 2 shows)
3. Brian and Robert (6/23/04 - 10 shows)
4. Split Open & Melt (8/15/04 - 1 show)
5. Heavy Things (8/10/04 - 5 shows)
6. PYITE (8/10/04 - 5 shows)
7. Gumbo (6/20/04 - 12 shows)
8. Reba (8/15/04 -1 show)
9. Mexican Cousin (8/11/04 - 4 shows)
10. It’s Ice > (7/26/03 - 33 shows)
11. Halley’s Comet (8/14/04 - 2 shows)
12. Beauty of a Broken Heart (debut)
13. Guelah Papyrus (9/18/00 - 77 shows)
14. Lawn Boy (8/12/04 - 3 shows)
15. Run like an Antelope (8/14/04 - 2 shows)
© 2009 Phish. All Rights Reserved. Photo by C. Taylor Crothers.
Set 2
16. Rock & Roll > (8/12/04 - 3 shows)
17. Limb by Limb (8/12/04 - 3 shows)
18. Ghost > (8/15/04 - 1 show)
19. Piper (8/15/04 - 1 show)
20. Birds of a Feather (8/10/04 - 5 shows)
21. Wolfman’s Brother (8/15/04 - 1 show)
22. Prince Caspian (8/11/04 - 4 shows)
23. Mike’s Song > (8/15/04 - 1 show)
24. I Am Hydrogen > (8/15/04 - 1 show)
25. Weekapaug Groove (8/15/04 - 1 show)
26. Character Zero (8/14/04 - 2 shows)
Encore
27. A Day in the Life (9/30/00 - 69 shows)
Jay Paul was kind enough to give us his photos from the 3-6-09 Phish show. Jay also shot the photos from the rehearsal that we shared last week. His photos from the reunion were published in the New York Times reunion story that ran yesterday. You can see Jay’s work at www.jaypaulphoto.com.











Trey and Page and Buddy Guy sit in with the Allman Brothers Band last night at the Beacon.
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