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Take Out > Porch Song - Widespread Panic w/ Ann Marie Calhoun
07.19.2008
NTelos Pavilion, Portsmouth, Virginia
…and here she is kicking Take Out > Porch Song with the boys in P-Town just recently. Obviously if you are WSP and you have a fine violinist on stage with you then Take Out > Porch Song is a must.
Here’s the setlist and torrent for flacs on bt.etree. Upped by cfox! Or, download the MP3 here.
Chainsaw City - Widespread Panic
07.19.2008
NTelos Pavilion, Portsmouth, VA
Get your Widespread reggae on…
From the Cradle > Wondering > Blackout Blues - Widespread Panic
07.19.2008
NTelos Pavilion, Portsmouth, Virginia
A sweet triplet to open up the second set
With apologies to Wilco, we are starting a new feature segment on Tuesdays named “Being There”. On Tuesdays, contributors of The Butter Room will be posting mp3s, video, photos, and stories from shows we attended. Hopefully, you will get the feeling that you had to be there.
At Least That’s What You Said - Wilco
4.22.06 - William and Mary Hall, Williamsburg, VA
A Ghost is Born
was released on June 22, 2004. In the weeks leading up to the release, I shared an office with a Wilco fan who constantly played the free streaming preview provided on the Wilco website. It stuck with me. I couldn’t stop listening to it. Every track was mesmerizing. It’s one of my favorite albums from this decade.
It wasn’t until 22 months later that I finally caught Wilco live. Last time I had seen them live was September 1997, so long ago I don’t remember anything about the show except that I had a bad case of PDA with my girlfriend (now wife). This time around, we had a decent sized crew descend upon Williamsburg, Virginia to catch Wilco at William & Mary Hall.
Pregame was spent at the delis. After spending the summer of ‘94 in Williamsburg, I grew to really love hanging out at the delis. I even met Bruce Hornsby at Paul’s Deli during the couple months I spent there. The Green Leafe was packed leading up to the show. A great venue for Wilco pregame. As night fell, we walked over to campus to see the show.
William and Mary Hall is the basketball arena for the Tribe. A decent sized arena, no booze served, and the show was GA. When we got there, security was no longer allowing any more people on the floor. So we settled in to some seats and watched from there. For me, the show was great. My appetite for “A Ghost Is Born” had been growing for 22 months and we were served 9 songs from the album. The crowd energy was kind of lame though, especially after experiencing the crowd at Charlottesville the next night. There were a lot of people sitting down the entire show.
I don’t have a favorite track from “A Ghost Is Born”, nor a favorite song from this show. So, I decided to spotlight the first track from the album (from 4/22/06). In addition to this nugget, check out this photo gallery from the show, courtesy of Charles Harris and a couple very short clips below from the show that night.
Setlist:
Wilco, Saturday 4/22/06, William and Mary Hall - Williamsburg, VA
1. I Am Trying To Break Your Heart
2. War On War
3. Company In My Back
4. Hell Is Chrome
5. Handshake Drugs
6. A Shot In The Arm
7. At Least That’s What You Said
8. Jesus, Etc.
9. Ashes Of American Flags
10. Theologians
11. Spiders (Kidsmoke)
12. Hummingbird
13. Walken
14. I’m The Man Who Loves You
Encore 1:
15. Via Chicago
16. Kingpin
17. The Late Greats
Encore 2:
18. Heavy Metal Drummer
19. I’m A Wheel
Jesus, etc. from 4/22/06:
A Shot in the Arm from 4/22/06:

Dark Star > Drums/Space > Dark Star > Playin’ Reprise > Black Peter - Grateful Dead
4.1.91 - Greensboro Coliseum, Greensboro NC
I caught the Grateful Dead 18 times from 1989 through 1995. I know this was not the best of times to see the Dead, and some Deadheads won’t even listen to any shows during this time period. Fine, be that way, but I enjoyed every minute of those shows and wish I could have kept going to many more. Granted, I know the music was not as good as the years before (especially from ‘93 through ‘95), but I still have lots of great memories both on and off the stage.
The best performance I saw the Dead put on was April Fool’s Day 1991 in Greensboro, NC. It was a two night run (March 31 and April 1), and everyone in my crew but one were shut out of the first night. We still had a great time in the lot, too good of time actually. I believe this might have been the only time I hung out in the lot during a show, and I paid the price too by getting busted for underage drinking. Back in ‘91, the penalty for underage drinking in the state of North Carolina for a 20 year old was only a $10 ticket. :) Even though we were whoopin’ it up outside, the show inside on the 31st wasn’t half bad either. In fact, the “Samson > Eyes” makes an appearance on a Dicks Picks.
April 1, 1991 was one of the most fun days of my life. I think I spent the night in Chapel Hill, but I can’t recall clearly. I do know that we spent most of the day in the lot until show time. Too much partying, but I was young and dumb without a care in the world. We sat lower level by Bruce’s side of the stage (Bruce toured with the Dead after Brent died in 1990 until 1992). Hornsby always brought the best out of Jerry even in the years after his departure from the band. First set was nothing to write home about. “Jack Straw” opener is always nice, along with the “Birdsong” closer, but when I put this show in my “tape deck”, I don’t listen to the first set. All of the highlights are in the second set. In fact, the entire second set is one long highlight. The “China > Rider” opener is the best I ever saw in person, followed by one of my all time favorite performances of “Looks Like Rain”. I am definitely a fan of “Looks Like Rain” post-Donna. Next up was the “Dark Star”. 1991 was the year I *got* Dark Star. Live Dead
burnt a hole in my CD player in ‘91. I couldn’t get enough of it, and I still love that version of “Dark Star” more than any other that I’ve heard since. While the 4-1-91 version can’t be compared to the one on Live Dead, it is a solid Dark Star for the 90s. Both verses were sung, the first before Drums and the second after Space, and then the boys engineered a nice transition into a “Playin’ Reprise” after performing an unfinished “Playin’” the night before. The “Black Peter” following “Playin’” is one of my favorite versions of all time as well.
I can never get enough of this second set. I have probably listened to it 300 times. Besides the performance, set list, and personal connection to the show, the quality of the recording is outstanding to the average ear. Even though I’ve provided the best 50 minutes of the second set right here, you should listen the whole show if you have the chance. I don’t think you will be disappointed, especially for a ‘91 show.
Setlist:
Grateful Dead, Monday 4/1/91 - Greensboro Coliseum, Greensboro NC
Set One
Jack Straw, Peggy-O, All Over Now, Candyman, Tom Thumb Blues, Picasso Moon, Birdsong
Set Two:
China Cat Sunflower > I Know You Rider, Looks Like Rain, Dark Star > Drums > Space > Dark Star > Playin’ in the Band Reprise > Black Peter > Lovelight
Encore:
Its All Over Now, Baby Blue

Makisupa Policeman > Funky Bitch - Phish
08.12.1998
Vernon Downs, Utica, NY
As is probably the case for a lot of us here in The Butter Room, this particular Phish Friday installation double-bills under Being There. We hit the lovely city of Utica to pick up our good buddy Sparkz, kicking it over to race track for one last show before Lemonwheel. It was a beautiful night and The Don was all hopped up on wheat grass juice.
The key phrase in Makisupa was “Burnin Down,” foreshadowing the encore cover of “Burning Down the House.”
Pebbles & Marbles - Phish
2.20.03 - Allstate Arena, Rosemont, IL

I’ve been a fan of Phish since I bought “A Live One” back in 1999, when I was fifteen years old. However, I was unable to catch the band before they went on hiatus in 2000, and was forced to wait indefinitely for my first show.
When the band announced they would return in August 2002, I was estatic. My excitement quickly faded as I was denied tickets for the return shows at MSG and Hampton. I didn’t let that stop me though, and did get lottery tickets to see my first Phish show at Allstate Arena. For a number of reasons I ended up traveling solo to this show. Perhaps because of that I will always remember it. The scene took me aback a little bit. I certainly wasn’t clueless to what I was getting myself into. I knew there would be a lot scene (even in the dead of winter), that there would be substances abound, and that the air would be permeating with ganja.
What I wasn’t prepared for was the feeling of the house lights dropping, the roar of the crowd, and the ensuing bliss of the next two and a half hours of my life. I didn’t realize how powerful the magic of CK5 and his light show would be in person. And I certainly didn’t realize that this show would lead me to go on tour in the summer and as a result make me a fan forever.
In many ways my life completely changed just because I went to this show. I distinctly remember downloading my Live Phish FLAC and burning the show to CDs which I listened to while I warmed up for track meets the rest of that spring. While there are some great versions of classic Phish songs (the Simple jam is mind blowing), what really got me was the promise found in the band’s newest material in the second set. A twenty-two minute 7 Below was followed up by this 19 minute Pebbles & Marbles.
Pebbles & Marbles is one of my favorite latter-day Phish songs because of its strong lyrical content and its ever-growing jam potential. For those interested, find a copy of the 8.3.03 version from the IT festival (or just wait for a Friday in the near future).
Inca Roads - Zappa Plays Zappa
07.03.2008 - Rothbury Music Festival, Rothbury, MI
As a diehard Zappa fan who never had the opportunity to see Frank or the Mothers in action, Rothbury 2008 provided (among other things) my first chance to experience the closest thing I would ever see to a Frank show.
Though they have been touring since 2006, their previous tours somehow always managed to elude me. This was disappointing, as the band’s first tour was comprised of an impressive all-star Mothers of Invention lineup, including Terry Bozio, Napolean Murphy Brock, and Steve Vai. The new lineup, though not quite as star-studded (or even zircon-encrusted, as Frank may have preferred), proved to be a truly unbelievable collection of musicians. In this writer’s mind, they were the most talented band at the festival which had one of the strongest lineup of artists in this century. And that was before Ray White came out to join the band for a raging rendition of Willie The Pimp.
This is clearly seen in the band’s rendition of Inca Roads. This song is one of the Zappa epics, and a precursor (if not inspiration) to many of the jam vehicles for bands that have come since. This rendition did nothing to disappoint. The song showcases each member of the group, and features a guitar solo that, in several instances, might make you wonder if Dweezil actually surpassed his father in pure guitar chops. It would have certainly impressed Frank if for nothing else.
The performance reinforced what many have been saying; Zappa Plays Zappa is truly a tribute to one of the great rock and jazz musicians. The show by no means comes off as cheesy or nostalgic. The band stays true to the concept of the music, which as Frank’s music has taught so many others that have come since, encourages musicians to take the instruments that they have and to push and stretch the boundaries of their abilities and ideas. I hope this band is around to do so for years to come.
Runaway Jim - Phish
04.20.1994
Virginia Horse Center, Lexington, VA
This was my first Phish show. What a huge treat that DMB opened. On top of that it was a mere 20-30 minutes down the road from where I was living at the time (Claytor Lake, VA, near Blacksburg). TBR regulars will remember the wonderfully rich YEM > Somewhere Over the Rainbow featuring LeRoi Moore (RIP). The whole band was up, in fact.
I like going back to this show particularly because it had a good mix from the two popular albums of the day, Rift (still an all-time fav of mine) and Hoist
, plus what I have come to know as Phish classics: Harry Hood, YEM, Antelope.
Speaking of classics, here’s the first set opener, Runaway Jim.
More to come…
It’s Ice > Julius - Phish
04.20.1994
Virginia Horse Center, Lexington, VA
This show was inside the main arena. The arena floor is dirt, which I suppose is appropriate for a Phish show. Were certainly kicked up a lot dust gettin down. It’s nIce to catch a band for the first time and know a bunch of the songs. I’d never heard Runaway Jim before, but knew everything on Rift and Hoist well.
Bouncing Around the Room - Phish
04.20.1994
Virginia Horse Center, Lexington, VA
I seem to recall major, band-coordinated beach ball action during this one. Anyone else? Bueller?
Rift - Phish
04.20.1994
Virginia Horse Center, Lexington, VA
I don’t recall too many Rifts in my show days. This is a good one. If I thought harder about it…Rift might be in my top ten. I just love the train sound of their harmony and the bass line.
Knockin’ On Heaven’s Door - U2
04.10.1985
Hampton Coliseum
I’ve said it once and I’ll say it again: Shows at Hampton Coliseum are colossal. This was my very first concert ever, ever. I was 14 years old. Me and a friend got to go without parents in tow. It was general admission and we had no idea what to do when they opened the doors. We were literally the first ones there. We decided we weren’t ready for the floor and so we sat to the right of the stage in the first row of seats off the floor.
I’m posting this song first (got the whole show from u2start.com) because I remember it so distinctly; Bono talking about how 4 chords changed him and could change the world. Listen about 4:30 in where he asks for someone from the audience to come up and play with them. I can see it in my mind’s eye like it was yesterday.
This is bringing back some great memories. More to come…
Sunday Bloody Sunday - U2
04.10.1985
Hampton Coliseum, Hampton, VA
Under a Blood Red Sky will go down as one of the greatest albums of all time. This song will go down as one of the greatest songs of all time. I feel fortunate to have seen it live in it’s hey day.
“This song is not a rebel song.”
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