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Queen Jane - Grateful Dead
6.18.93 - Soldier Field, Chicago
Fifteen years ago today, I caught the Dead during my first ever trip to Chicago. What a trip it was. The Bulls were in the middle of their 3rd straight NBA title. On the night of this show, the Bulls and Suns were playing Game 5 in Chicago. The sound crew mixed in several live audio clips of NBC’s call of the game. You can hear Marv Albert after the end of Queen Jane. At set break, the game was broadcast on the big screens. Setlist.
Ashes of American Flags - Wilco
07.04.2001 - Grant Park, Chicago
All my lies are only wishes
I know I would die if I could come back new
Ashes of American Flags contains some of the most powerful lyrics ever written by Jeff Tweedy, which we have come to expect. I realize this is a rather bleak tune to post for Independence day, but what the hell.
This show was a rather eventful one. It was Jay Bennett’s last. It also appears in the 2002 documentary, I Am Trying to Break Your Heart, which chronicles the making of Yankee Hotel Foxtrot, where you can observe the tension between Tweedy and Bennett leading up to this show. Bennett ended up leaving the band in August.
McGrupp > Tweezer - Phish
6.18.94 - UIC Pavilion, Chicago IL
A little late on my Phish pick this week, but I’ve got a good one for you. The Peaches > Bowie > Mind Left Body Jam > Bowie gets a lot of pub from this show, but I’m partial to this McGrupp > Tweezer. Out of all the songs I never saw live, McGrupp is at the top of my list.
“Divided Sky” - Phish
6.18.94 - UIC Pavilion, Chicago IL
Happy 44th Birthday, Trey Anastasio! You’re one of - if not the - most talented rock guitarists of the past twenty five years, and a brilliant musical mind. You wrote over 150 original songs for Phish and have brought joy and love to audiences in ways that only very few musicians have ever been able to experience. There were moments where your music has transcended time and space, and took thousands of people to a place where not a thing in the world mattered, where all the worries and stresses of life were absent.
Your down to earth personality and dorky humor strike a chord within us all, and the 6+ hour set you led to bring in the new millenium is what many consider to be a peak moment in rock and roll history. Like so many other guitar legends you have also fell victim to drug addiction. However, unlike your hero Jimi you have survived, coming clean with yourself, your family, friends, and fans.
And like your name (Greek for resurrection) by many accounts are also on the verge of announcing a Spring 2009 comeback for Phish, with something to prove not only to those of us that have supported you through the bad times, but to yourself - that you still have the Jedi force within you. We know it’s still there, and welcome its return.
This song is one of Trey’s favorite moments from Phish, and one of his most expressive moments as a guitarist in my opinion. The last few minutes he just pours his soul out through his guitar. Here’s how he described it to Charlie Rose in 2004:
“We were at the UIC Pavilion in Chicago. And we were playing “Divided Sky,” and we got down to this quiet part where it gets silent. And we were getting quieter and quieter, and then became silence. And I had my eyes closed, and I could feel the crowd, and I started to — because improvising is, you`re trying to translate the — what`s out there already, greater pattern of things. And sometimes it feels like it`s coming through the hole, and you couldn`t play a wrong note if you tried; you`re just floating.
And at that moment, you are in the middle of it, and I started to see those colors, like I`m not kidding, floating around there, and I realized that I could almost — it was silent, but I could see what we were translating. And as soon as I could see them, I started improvising, but I didn`t play anything. I did everything in the sense of improvisation, except for the actual notes, and as soon as I did it, the whole place erupted. It was like, whoa, and just tears started rolling down my face, and it was at that moment that I knew that it was truly bigger than me. It. You know what I mean? There were probably a lot of moments like that, but those two just come to mind. It was amazing.”

(Photo by Barry Brecheisen)
Dick In A Box - Umphrey’s McGee
12.31.2006 - Aragon Ballroom, Chicago, IL
Living in or near Chicago for most of my life, it’s always fun to take in New Year’s Eve in the Windy City. The past four years I’ve spent my NYE with Umphrey’s in one Chicago location or another. Each year I’ve been treated to wonderful musical guests including Tortoise, Los Lobos, Taj Mahal, North Mississippi All-Stars, The Wailers, and Keller Williams.
On this particular New Year’s, the band treated the crowd with a humorous encore referencing Justin Timberlake’s hilarious Saturday Night Live skit of the same name (available here), boxes and all.
I’m still unsure of what my plans are for New Year’s, but if you’re in Chicago and looking for a good New Year’s show, Umphrey’s may hit the spot. Sound Tribe Sector 9 is playing four nights in Atlanta, The Disco Biscuits are playing in NYC, and out in San Francisco Les Claypool will be joining Zappa Plays Zappa while Phil Lesh & Bob Weir join forces for two nights at The Warfield.
Pebbles & Marbles - Phish
2.20.03 - Allstate Arena, Rosemont, IL

I’ve been a fan of Phish since I bought “A Live One” back in 1999, when I was fifteen years old. However, I was unable to catch the band before they went on hiatus in 2000, and was forced to wait indefinitely for my first show.
When the band announced they would return in August 2002, I was estatic. My excitement quickly faded as I was denied tickets for the return shows at MSG and Hampton. I didn’t let that stop me though, and did get lottery tickets to see my first Phish show at Allstate Arena. For a number of reasons I ended up traveling solo to this show. Perhaps because of that I will always remember it. The scene took me aback a little bit. I certainly wasn’t clueless to what I was getting myself into. I knew there would be a lot scene (even in the dead of winter), that there would be substances abound, and that the air would be permeating with ganja.
What I wasn’t prepared for was the feeling of the house lights dropping, the roar of the crowd, and the ensuing bliss of the next two and a half hours of my life. I didn’t realize how powerful the magic of CK5 and his light show would be in person. And I certainly didn’t realize that this show would lead me to go on tour in the summer and as a result make me a fan forever.
In many ways my life completely changed just because I went to this show. I distinctly remember downloading my Live Phish FLAC and burning the show to CDs which I listened to while I warmed up for track meets the rest of that spring. While there are some great versions of classic Phish songs (the Simple jam is mind blowing), what really got me was the promise found in the band’s newest material in the second set. A twenty-two minute 7 Below was followed up by this 19 minute Pebbles & Marbles.
Pebbles & Marbles is one of my favorite latter-day Phish songs because of its strong lyrical content and its ever-growing jam potential. For those interested, find a copy of the 8.3.03 version from the IT festival (or just wait for a Friday in the near future).
Keep Your Lamps Trimmed and Burning - Hot Tuna
01.18.86 - Vic Theatre, Chicago, IL
I’ve always wonder what event provokes a “jamband” to play a song in set that they haven’t for 20 years. Last night, 2,193 shows later at The Wharf in Orange Beach, AL, Widespread Panic decides to pull out the old Blind Willie Johnson delta blues spiritual, “Keep Your Lamps Trimmed and Burning”. Most obvious reason would be the presence of Luther and Cody Dickinson from opening act North Misssissippi Allstars. Reports from my buddies down there said that the interplay between Luther Dickinson (North Mississippi Allstars/Black Crowes) and Jimmy Herring was monumental. Luther’s delta blues chops are some of the best in the business. The rest of the show, in fact, the whole run looks hot!!
There aren’t a whole lot of live footage videos of this Rev. Gary Davis/Blind Willie Johnson tune. In fact, to my knowledge, there ain’t any. However, it used to be a staple in Hot Tuna’s set. This one’s from the famous Vic Theatre in Chi-town. Enjoy.
04/18/09 The Wharf, Orange Beach, AL
1: Send Your Mind > Fishwater, Gradle > Who Do You Belong To? > Dyin’ Man, Let’s Get Down To Business > This Part Of Town > Jack > Big Wooly Mammoth > Papa’s Home
2: Bowlegged Woman, Smoking Factory*, Keep Your Lamps Trimmed and Burning*, Walk On The Flood, Blight > Ride Me High > Jam > Drums** > Climb To Safety > Action Man
E: Wondering > Can’t Find My Way Home
* with Luther Dickinson on guitarLive in Chicago? Not going to Bonnaroo?
We’ve caught wind of a killer bill of Chicago instrumental bands at the House of Blues this Saturday.
Doors are at 7:30 with Wyllysspinning vinyl from his gigantic collection, followed by the cool, funky sounds of Spare Parts at 9. Aggressive-progressive fusion monsters The Hue are up next, with the rocking/jazz of Land of Atlantisto close the evening.
Tickets are only $10, and this is a very special 17+ show!
When I first received an email from the Chicago Theatre earlier in the summer announcing Steely Dan’s 4-night run playing some of their best albums in their entirety, I knew I had to make it to at least one. Conveniently, last night’s performance of Gaucho and selected favorites featured half-price tickets. Blame it on the recession, a Tuesday night, or that Gaucho may not quite match Aja or The Royal Scam, but for $45 we were able to score floor tickets and locate ourselves in better-than-paid-for 20th row seats dead center.
Becker and Fagen’s “09 Orchestra” (as they’re calling the band) opened the show with a long, bluesy intro that saw drummer Keith Carlock show off chops that would highlight a tight but exploratory take on the band’s classics. As the intro faded out, one of the three backup singers arrived on-stage carrying a vinyl copy of Gaucho which she laid onto a turntable and dropped the needle to as the band struck up the opening notes of Babylon Sisters.
Gaucho was Steely Dan’s last album before their 10-year breakup, recorded in 1980 and released in 1981, and stood as the only studio album from the band until 2000. Gaucho retains the jazzy pop of the group’s past efforts, but has more of that late 70’s, early 80’s disco feel throughout.
The album’s title track is a tribute to jazz pianist Keith Jarrett (whose “Long As You Know You’re Living Yours” is featured within the song), and really seemed to get the crowd enthused as the on-stage vinyl was flipped to Side B. While the band was completely true to the album versions, there was also a fair amount of improv in songs like Glaumour Profession, Gaucho, and My Rival that saw Becker and Fagen trading licks, pushing the horn section to take the lead, or tossing some nasty solos to guitarist Jon Herington or keyboardist Jim Beard.
The band received a standing ovation as Gaucho ended, which marked the beginning of a more engaging second half of the show. Donald Fagen began to talk to the crowd after stepping out of the intensity he brought to all eight Gaucho songs, and lighten up a bit as he belted out the lyrics to Green Earrings, which will be played on Thursday in the context of The Royal Scam.

The favorites kept coming throughout the rest of the night, with hits like Black Cow (from Aja), Showbiz Kids, Kid Charlemagne, Josie, My Old School, and the timeless encore choice of Reelin’ In The Years (video below) from the band’s 1972 debut album, Can’t Buy A Thrill.
Steely Dan - Reelin’ In The Years from The Butter Room on Vimeo.
As Becker and Fagen left to boisterous applause, the rest of the band played us out with a jazzy little jam, a “thank you” for such a respectful and fun crowd. All in all, you could not have asked for much more: one of the best albums of the early 80’s and a host of hits performed with a youthful vigor that would likely surprise the outside observer.
If you’re looking for a fun evening later this week, swing by the Chicago Theatre for Thursday’s performance of The Royal Scam or Friday’s request show. Tickets are plentiful at the door and in the form of extras that people are likely willing to get rid of below face.
Steely Dan
Chicago Theatre, Chicago, IL
9.1.09
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