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Live performances that start & end w/ the same tune, but packed with tasty jams in between. Listen >>
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Grateful Dead - “Ramble on Rose”
6.26.94 - Sam Boyd Stadium, Las Vegas, NV
The Grateful Dead - “So Many Roads”
7.9.95 - Soldier Field, Chicago, IL
It’s been 15 years since the last Grateful Dead show. Take a moment to remember one of the most moving, soulful musicians in American history today. Even at his weakest, his soul shines through in this amazing version of “So Many Roads.”
Morning, Freaks!
Aloha, Shalom, Cheers and all that good shit! It’s been a long time since we’ve talked, huh? I hope you’re well. Quite sincerely, I do. Just took some time off and kind of forgot about the world for a few minutes, caught up in my own life, some new friends, one of them a very close one, and life’s roller coaster of twists and turns. Been spending most of my time just working, gardening and basking in the sunlight that is a South Carolina summer. Honestly, it’s hot as fuck down here. When you go outside, it feels like you threw a wet blanket on your back. Well a bunch of you are on the road at present. Both the Phish and the Panic are off and running. WSP is burning down Red Rocks this weekend and the Phish are beating up the Northeast, slowly making their way south and leaving a bloody pulp of smiles and awe in their wake. I can tell you that I haven’t been this excited about a Phish tour in many, many, many years…. the tapes don’t lie…I’m expecting straight heat by the time those fools get to Charlotte. They’re connecting….not ’97 connecting, but Trey’s good health and fervor are leading the way to great things. The Panic has been on a short Spring break, but they should bring the fire to The Rocks this weekend. They, too, are a brand new invigorated pack of wolves, with a new album taboot…that ain’t half bad. With every tour, Father Time (Jimmy Herring) melds more and more, taking the band to new places. I won’t say new heights, but I will say new places. So to y’all, that are out on the road like a caravan of vagabond gypsies with the same common interest of sweet summer sunshine, good times and the chase for that rare musical epicness, please be careful. Don’t hesitate to enjoy yourselves…you deserve it. Text me setlists and pictures of your dilapidated smiling asses from near and far, and whatever you do, don’t call me for bail.
A bunch of you know I grew up in the metropolis of Chester, VA. Most of you know it because it is located right beside Enon…another metropolis, and absolute braintrust of intellectuals. I sense sarcasm. Correct. Enon and Chester have never really been know for kicking out rocket surgeons into society, or been a real hotbed for world leaders, generous philanthropists, world renowned artists and thinktank of academics, and the sort, but worry not, one thing we do know is that the twin cities know how to party, possibly like nowhere else I’ve ever been and know great music. Ne’er a day passed when I wouldn’t leave my j.o.b. at the local Subway sandwich shop (I was a sandwich artist, you know), take a bong hit out of the V05 shampoo bottle bong that we hid on the top shelf over the slicer near the three compartment sink, blow the smoke into the walk in freezer, get in my beat up 280zx and head off to the park to a virtual rodeo of camaros and mustangs, 4 wheel drives and girls showing a lot of skin, joints, brown liquor, and Milwaukee’s Best flying around the circle so fast, it didn’t matter if you caught it this round, because there was certain to be another directly behind it. If you needed a break for a minute, you took a break. Nobody scoffed. There were cool kids, cheerleaders and football players, band geeks and german club presidents, squares, sluts, heads, future lawyers and future prisoners all in one place at one time, partying and enjoying each other’s company. There was safety in numbers and this park was off the beaten track, down a twist and turn of roads that I couldn’t find now if my life depended on it. Shit, I could barely find it then. Car Stereos cranking Zep, the Sabbath, Halen, the Floyd, and our beloved Grateful Dead. You ever see the movie Dazed and Confused? Yeah?….well that movie was based on Enon. The foosball parlor? Chester….Party at the Moontower? Enon. Marijuana on One, Reefer on Two…and all that good shit. I wouldn’t change a thing. The only time the park really shut down its party was when the Dead came to town. Chee-non is in kind of a central location for the Dead concert season….easy to hit RFK, Jerryweather, and Cap Center to the North, The Spaceship to the East, Carter Finley and Raleighwood to the South. So, when they were in town, the party moved.
Well today marks the anniversary of another special show I attended with someone who is very dear to me…my lil bro. Kid has been a rock for me over the years. When I need someone to lean on, he’s not far away. At least, I’m pretty sure I attended it with him. That decade is a little foggy for me. I can’t imagine why. Typically, ‘90’s shows weren’t a whole lot to write home about. Mostly junk…midi and teleprompters, with an occasional spark of inspiration and genius. Bobby pushed hard on the band as its makeshift engineer in Jerry’s mental absence and drug haze, but couldn’t be the engine for his road weary aging teammates in his Op shorts and tanktop uniforms, and at this time, core with some subs (they tried real hard, but didn’t quite have the allotted play time needed to connect to the real vibe of what had made this band greatness. They couldn’t quite find the heart. It wasn’t their fault, though. It was timing.) I remember when we first heard the rumor from the road that Vince was going to be the new “keys guy”. First, were like who the fuck is that? Is that guy from the “She’s a Beauty” band? Anyway, cool video. You remember…the creepy fun house video. ( http://www.youtube.com/watch?v=mQ_k_VG6Syc ) Lots of nip slips in that thing, huh? YAAAYYYYYY, MTV!! So, anyway Vince turned out to be a really cool guy and fit in well with the family, like when your sister brings her new boyfriend to his first family reunion at your parents house and he’s the one that pulls you aside and asks you if you want to smoke a joint. He brought wonderful new jazzy harmonies to the band and some unique tune penning. His addition is clear in the following show with its double jointed second set opener of BOX>RAIN, then SAMBA later in the set.
This show wasn’t brilliant by any means…but, it was better than ok. Little did we know, it would the last time the Dead would play RFK. A stadium that historically they had completely destroyed. See 6/9/73 and 6/20/92. Tell me what band can do a stadium tour every year and sell out two nights in a row…..that’s right, you can’t name one. The ’92 Shenandoah space quite possibly may have been the most beautiful pieces of art I ever heard the Dead play live, especially when the train airhorn blasted and banged into a phenomenally rare 90’s St. Steve. It was always scorching at the summer RFK shows. The lot felt like home to me, the thick hot smell of patchouli, kind bud and B.O., naked sundrenched bodies taking showers in the lot at the provided makeshift showers, the colorful sea of tents, VW buses, smiles, lots of smiles, and the drum circles under the bridge will forever be etched in the attics of my mind. At points, they were magical. If you were there, you know what I’m talking about. There was something about the echo and reverb of the drums bouncing off the cool steel of the bridge, while we stood on the big round rocks of the river in the cool shade. There was none of this puppy pulling, nitrous mafia, flat brimmed bullshit there is today. Sometimes I just want to kick those dumbasses right in the face. Maybe I just need to shake them and say “Don’t you get it?” Maybe I just need to love them, like my yoga practice would dictate. I know…Whatever, Hippy. The scene was centered around the music, not the drugs, and it was good. On this night, we were expecting rain…and rain it did. It thundered, it lighteninged, it poured….and we boogied our asses off, me and Mattu. Rain or shine…we dance. The band rewarded us with the rain theme in the second set. They let us know that they were thankful for our devotion. It was BIG and it was GRAND and it HAPPENED and we were THERE.
I’m not gonna hit you with a bunch of show notes today. Well, only one…I think Jerry’s voice is super cool on Rollin’ & Tumblin’…and it’s a rare tune. Also check out the jazz/midi horn parts in the Shakedown opener. It’s fabulous!
Get yourself a tea and cop a squat. Plug ‘n play here:
http://www.archive.org/details/gd95-06-25.sbd.2236.sbefail.shnf
06-25-95 Robert F. Kennedy Stadium, Washington, D.C. (Sun)
1: Shakedown, Wang Dang Doodle, Jack A Roe*, Mama Tried@*> Mexicali@*, Loose Lucy, Picasso Moon*
2: Box Of Rain, Rain, Samson, Ship Of Fools*, Truckin> Rollin & Tumblin*> Samba> Drumz> Wharf Rat*> NFA E: Brokedown*
*final version with Bruce Hornsby on grand piano - Bob Dylan opened - soundcheck: “St. Stephen” - Jerry Garcia played on “Train To Cry” and “Rainy Day Women” of Bob Dylan’s set
See you all at the Phish in the ATL on JULY 4th…AMERICA, FUCK, YEAH!!!
You guys mean everything to me. Wherever this weekend finds you, may it be safe and exactly what you were looking for.
Enjoy! And thanks for coming with me to therapy today.
m-
Morning, Freaks!!
Well Aloha and Shalom and all that good shit!! It’s been a while and I’m truly happy to be back and sharing the my deep seeded love/slight obsession of the Grateful Dead with you fine people. I found myself taking a little hiatus from writing for a bit. My head’s been kind of straight for a brief moment in time and I didn’t have whole lot to “therapitize” on, although the grateful dead played through daily and with a strong presence. Sunday mornings are special, aren’t they? You wake up, shake off a little bit of the previous evening’s festivities, which in my case were fairly tame with an “metric shit-ton” of cold beer (my new friend and fellow head Twan’s home brews), fries with truffle mayo, rice krispie treats, and a wii bowling tournament, in which I may have suffered a slight injury to my throwing elbow. Ya know, I may be getting up there in my years, but clearly I still know how to have a good time. :) So sit down with a little coffee, some biscuits and gravy, CBS Sunday Morning on the tube, and the for me, as typical a little mid-70’s dead.
The Europe ‘72 tour was basically the shit. My goal was to find a good copy of the London 4/7/72 show and drop the goods on you, but I can’t seem to find a good non-audience copy. They played liked complete demons on that show. Go listen to one of those copies and tell me I’m wrong. You can’t. That being said, I forgot about this beautiful moment in music until I stumbled across it again. Pure, unadulterated, ‘72 Grateful Dead. Welcome to Sunday Morning!!!!!!
I’m not going to get to into show notes with you this morning. It’s just damn good and picture perfect. I urge you to pay a little attention to the stage banter.There’s all kinds of babbling going on in the beginning of this show.
www.archive.org/details/gd72-04-14.sbd.hurwitt.8828.sbeok.shnf
04-14-72 Tivoli Concert Hall, Copenhagen, Denmark (Fri)1: Bertha, Me & My Uncle, Mr. Charlie, You Win Again, B. T. Wind, Chinatown Shuffle, Loser, Bobby McGee, Cumberland, Playin, Tennessee Jed, El Paso, Big Boss Man, BIODTL, Casey Jones2: Truckin, Hurts Me Too, B. E. Women, L. L. Rain, Dark Star> Sugar Magnolia, Good Lovin> Caution> Who Do You Love> Caution> Good Lovin, NFA> GDTRFB> NFA E: Saturday Nightlast “Who Do You Love”: 11-11-70 [112] - B. E. Women” appears on “Europe ‘72” - FM broadcast on 05-20-72
Have a wonderful week, y’all, and thanks for coming to therapy with me today,
m-
p.s. Happy Birthday to my good friend Dana, who celebrates another year on the sphere today. And just for the record, it makes me smile when you shoot me those texts when you’re driving on a sunshiny day, and the boys launch into a bouncy china cat…and yes, you’re right…”it doesn’t get any better than this”.
p.s.s. karma - it’s everywhere you’re going to be
A surprise email landed in our inbox a couple weeks ago from Joe Kolbenschlag of Huntersville, NC who shared with us his latest Grateful Dead compilation, Steel Cut Oats Volume V: Spirited in St. Louis. I’ve had a chance to digest Joe’s mix and it is quite a feast. Thanks for sending this our way, Joe, and keep them coming. Enjoy everyone!
Comments below from Joe:
Steel Cut Oats : Volume V : Spirited In St. Louis
Grateful Dead, October 17, 18, and 19, 1972, Fox Theatre, St. Louis, MissouriAfter reviewing several shows for a next project, October 1972 seemed ripe for the picking, as we’ve not heard a single note from this extremely fertile period via official release. It’s only a matter of time before the powers that be also draw the same conclusion, and drop us a sweet 3 or 4 disc compilation set - possibly featuring an entire show. I hope to have remedied this temporary oversight by delivering 4 hours of selections from the Fox Theatre run from St. Louis, Missouri - October 17th, 18th, and 19th, 1972. The middle show on the 18th is easily the most recognizable of the 3 - found in many collections, and for good reason - it’s a classic. Excellent ‘72 energy, tight playing, group telepathy, and most important an explosive 2nd set jam that delivers in spades - it is the centerpiece of this collection - Playin’ > Drums > Dark Star > Morning Dew > Playin’ - 64 minutes of blissed-out Fall ‘72 - it’s the first time the band wove multiple songs into the structure of Playin’ In The Band. This sequence is begging for official release.
Each of these shows has its own quirks and characteristics that make them unique in performance, and as actual recordings or ‘sonic journals’ as Bear himself calls them. The first night has its fair share of technical problems during the 1st set - monitors are a huge issue (when aren’t they back then), and it’s clearly a bother to the band more than normal - causing distractions during songs, and followed up with excessive complaints and long breaks after them. The middle show’s recording is heavy on Weir in the mix - which offers the listener a different perspective and appreciation of his playing at this time - his fills throughout add a much deeper flavor than what is normally found, and a pre-cursor to his evolving jazzy style which becomes more prevalent in 1973 and 1974. The final night - another wonderful complete show on its own merit - is marred by more tape hiss than the average tape from ‘72, however, probably carries the most democratic mix of the 3 shows.
These 9 hours of tapes offered a diverse range of aural challenges, including inevitable ‘cuts’ due to their analog nature. Some excellent tracks were automatically thrown out due to this unfortunate circumstance - specifically the Bird Song from 10.18, Black Peter from 10.19 - only 1 of 4 readings from 1972, and an otherwise uber-melt of a Playin’ In The Band from 10.17. Each of these tracks should be considered outside of this compilation as outstanding; however, they were not going to work in the context of my personal selection criteria. After having an opportunity to recently listen to Vault copies of 10.18’s Bird Song (same problematic cut, yet with obviously better sound quality) and 10.17’s Ramble On Rose (missing on all circulating copies), surprises from these shows still exist, and an official release could spring some new material. On a personal side note - any further cuts, blips, or skips that reside on this collection remain ‘as is’ from the original sources found in the db.etree.org directory - surgery was performed only for the purpose of sequencing, and not on any portion of actual music.
I had a riot re-visiting these shows to create this set. Steel Cut Oats #5 illustrates the band’s turn-on-a-dime abilities, and offers a powerful snapshot of the post-Pigpen Grateful Dead as they continued to charge fresh off a highly successful Spring European tour - Pig’s swan song - and a consistent run of several epic shows from August and September. 1972, along with the next two years are held as a watershed period for the Grateful Dead, and I couldn’t agree more. This set truly speaks for itself - on to the music - play it loud. Enjoy.
1. Promised Land (10.18)
2. Brown Eyed Women (10.18)
3. Mexicali Blues (10.17)
4. Tennessee Jed (10.19)
5. Jack Straw (10.18)
6. Bird Song (10.19)
7. Big River (10.18)
8. Cumberland Blues (10.17)
9. Me and My Uncle (10.17)
10. Don’t Ease Me In (10.18)
11. Greatest Story Ever Told (10.19)
12. Deal (10.18)
13. One More Saturday Night (10.18)
14. Casey Jones (10.18)
15. China Cat Sunflower —>
16. I Know You Rider (10.19)
17. Playin’ In The Band —>
18. Drums —>
19. Dark Star —>
20. Morning Dew —>
21. Playin’ In The Band (10.18)
22. Johnny B. Goode (10.17)
23. Big Railroad Blues (10.18)
24. Drums —>
25. The Other One —>
26. He’s Gone —>
27. The Other One (10.19)
28. Comes A Time (10.19)
29. Uncle John’s Band (10.17)
30. Sugar Magnolia (10.17)
31. Not Fade Away —>
32. Goin’ Down The Road Feelin’ Bad —>
33. Not Fade Away (10.19)
Jerry Garcia, lead guitar, vocals
Donna Jean Godchaux, vocals
Keith Godchaux, piano
Bill Kreutzmann, drums
Phil Lesh, bass, vocals
Bob Weir, rhythm guitar, vocals
April 5th, 2010
please send comments to JoeKolby@gmail.com
Morning, Freaks!!
So, in an effort to support live music, I went out for a little while last night to catch a country music duo that was passing through town. Coincidentally, after they got finished a really awesome acoustic dead cover duo played. I cashed, my $5 cover was well spent. Well anyway, I ended up meeting this really cool deadhead and somehow struck up a conversation. She proceeded to lead into this grandiose tale about going out to San Francisco to see the Dead. I never really could figure out how long ago she went out there, but it really didn’t matter. She went on to tell me how she went out there for two weeks with some guy, and after nine days, got tired of him and somehow met the chef/cook from Great American Music Hall. Upon breaking it off with guy number one, she asks guy number two where she can get a cheap hotel. Of course, he says never you mind…you’ll stay with me at my house in The Haight. No money, no nothing…just peace and love. Anyway, the story goes on and on, and she proceeds to tell me about wandering around The Haight exploring and walking his dog for 5 days while he worked and how awesome and fun it was…without a care in the world.
Morning, Freaks!!
I apologize in advance, it appears that the economy has taken a quick right turn this week for the better, and work has turned in to a hustle again. God is Good.
Because of this wonderful current event, I’m afraid I don’t have the time to regale you with typically fine monologue of stuff you don’t care about. However, I did make someone a promise that I would put a little something together….so, in the words of the panic…Boom, Boom, Boom. Here it is.
Morning, Freaks, Goblins and Ghouls!!
“I want to be a vampire for the Halloween
Mama makes a cape on the sewing machine
Sewing machine
Sewing machine
Sewing machine
Sewing machine”
~Vic Chesnutt
Let’s get straight to the point today. There are Halloween people and there are not Halloween people. You know the type, the ones that plan their costumes weeks in advance, some even starting the day after last Halloween. Some people just get really turned on by this holiday. I am not one of those people, although I do kind of like the idea that women can get away with wearing whatever they want on this day, no matter how short or low cut and nobody can say a damn thing ‘cause it’s Halloween. God bless ‘em. Sometimes, I still miss college. Just as an example, I went to ask my office buddy what his one year old son was dressing as and he replied with a smile…”Superman”. So to be nice, I asked what his 16 year old daughter was dressing as and he said, ”probably some damn pole dancer.” Sorry I digress. We just never really got into it in my family…maybe because we’re Jewish and our Halloween is Purim which usually falls out around march. Kind of the same. Not really. You get to dress up, play tricks, and get a bunch of candy. But it’s not scary.
Morning, Freaks!!
Sorry for all the disconnects you’re about to read. I can’t seem to fit my thoughts together in any logical sense today.
You know life is strange sometimes. When I think I’m reaching stability and life seems to plateau, another challenge rears its head. Maybe that’s what life’s about…Never Settling. Why can’t things ever just be easy?
It seems like we live in a very turbulent time right now. It seems that everybody around me is chasing stability and balance.
But what’s that saying from the bible, “When God closes a door, he opens a window.” I can’t even tell you how many times I’ve heard that over the past five years, from people I wouldn’t expect it to come out of. Life is full of Grand Opportunities. Maybe we just need to be open to looking for them, or seeing the good in what we’ve already got. I’ve always seen life kind of like a book…every stage of life a different chapter. Some longer, some shorter. The book just really never ends. Maybe it’s time for you to start a new chapter? What do you want to do next? Where do you see yourself? What challenges lie ahead? Are you where you’re supposed to be? What’s really good in my life right now?
the famous 1968 Haight Street free concert, playing off the back of a flat bed truck special
Morning, Freaks!!
So, a really good friend has been touting this ’89 Alpine run a lot lately, and for very good reason. It’s true era dead and perfect. {Show Note ~ This is important! Go down and push play on this show now.}
Picture yourself there…You’re hanging on the sloping hill of the beautiful Alpine Valley Music Theatre on wondrous sunny day in July. It’s not hot like we would get down south in the middle of July. It’s mild, temps around the mid ‘70s on a Wednesday night, which is usually a school night…but you could give a shit less because you’re on summer tour. What the hell? You just rocked a week at Giant, RFK (where you randomly shared a hug and a joint with me and little bro at set break and some terrific shows, taboot), and the bad-ass Deer Creek and you’re in the heartland, in the rolling hills of Wisconsin. A perfect day for a peanut butter and mushroom sandwich, you choke it down with a tremendously heady microbrew you bought from some kid in the lot you met from Colorado. It’s his first time at Alpine, too. You guys talk about how beautiful and green it is, and how easy it was to get into the lot, and how great the camping scene is here. You also reminisce briefly with your new buddy about how great the previous two nights have been. We Bid You Goodnight…where the hell did that come from, and why’d they decide to take it off the shelf at Alpine? Who knows?!? “That’s one of the mysteries of the Grateful Dead that keeps you coming back,” he says. You agree with a smile on your face. You say you got to hit it, it was great meeting you, but I got to get inside and find my place before this fungus kicks in. You hug goodbye and go off into the crowd of freaks. You love this place right now. You love the sights…a menagerie and kaleidoscope of colors, tie-dyes abound. You love the sounds….you pass a drum circle and hang for a minute, the rhythms and whooping and hollering captivate you. You watch as sun-drenched girls in lightly patterned batik and Moroccan and Indian prints twirl and smile in short fits of ecstasy brought by dance and sound. They don’t wear undergarments. You like this…..and then, there are the smells, the distinct smell of a Dead summer lot. The recipe is 1/3 patchouli, 1/3 kind bud, and 1/3 b.o. If you’ve smelled this smell once, you’ve smelled it a hundred times. Combined, it completely makes a new fragrance of its own and by now you know it well and you bask in it. You lilt through the crowd, in an attempt to make it to the venue gate, only to be distracted again as you make your way down Shakedown Street. You stop at a couple of tables to compliment these humble businesspeople on the quality of their wares. You see a bunch of t’s that you’ve seen throughout the whole tour, and some mass produced jewelry. Every once in a while, you come across something that’s a true handcraft and you pause to admire it. You’ve been looking around everywhere for that shirt you saw in the RFK lot. You know the one with the Cloud of Smoke Jerry Head Stealie, but you can’t seem to find the kid that was selling them anywhere. Damn’t, you know you got to start buying those things when you see them, no matter whether you have to carry it inside or not. For God Sakes, tie the shit around your waste. You stop for a minute to watch the hair-weaving girls. For some reason, you’re always intrigued by this. As stoned as they are, they still can crank out some cornrows. A couple of shady dudes pass you and whisper, “doses, shrooms, nugs”, you smile and nod them off…you’re already set for the evening and this is the last show of the tour. If you make it out to Cali, you’ll grab some goodies out there…but you know you can’t, you got to get back to school….bummer.
You present your mail order stub and through the gate you go. You let out a short yelp of joy, because you were worried a little about security tonight, even though everybody in the lot assured you that you could’ve carried a bong in. Anyway, you’re comfortable now. You make your way quickly to the bathroom to readjust your stash (it’s been in your underwear for a while now, and you’ve had to piss for what seems like days now, and because you couldn’t find anywhere to go in the lot….and you really have to. You had seats the last night, but for tonight’s show you’re on the hill, which is perfectly fine with you. You make your way through the mass of people, seeing a couple old friends and a number of new acquaintances from tour. You stop to talk to that girl from Indiana and her friend from Michigan that you met at Deer Creek. Homegirl looks good, even though she hasn’t showered for three days, you dig it, hairy legs and all. She’s sweet, she gives you a hug and asks if she’s going to see you at Cal Expo. You say, no, got to get back to school, the bus ends here for you, but if she makes it out to Hampton in the Fall, you’ll see her there. You wink at her and make your way through the sea of people to hang with a few friends in your ”meet up spot” from the first night. Just in time…the lights go down…. the band swaggers on to the stage for Night 3…Jerry and Phil start tuning up…Bill and Mickey bang a little bit on the toms just to make sure there working…. you torch up with the rest of the lucky onlookers….the crowd cheers ….. smiles abound…you hear the first notes of bucket….GAME ON!!!
Show Notes:
Listen to the phenomenal flow of this magnificent beast. 1st set is like a river. It ebbs, it flows, it turns tight corners, it opens wide in parts, it bumps over rocks and swirls in deltas. You get dealt a nice couple of cowboys with Mama Tried and Mexicali (Bobby and his affection for the youngsters, you think to yourself. Shit will get you shot, brother). You love the new use of sound effects on Victim. It’s really spacey for a first set Victim and sets your mushrooms off BIGTIME. Listen to Jerry’s string bends at the end. He is in the moment. Let me just add that Althea>Victim>Fadeaway is a sickening, haunting combo. It’s like you just put warming gel on my heart. Just the thought of these in tandem gives me goosebumps. The Desolation is nice and always well played. And then a big fat DEAL to close the set. You sit back on the hill and rest for a few. Smoke a joint with some new friends and chill, having laughs, light conversation, and beer.
The lights go down again…everybody stands up whooping and hollering again…the smell of marijuana hangs low in the cloudy summer sky…you hear the first notes of Box. You think to yourself, a Box opener, now that’s a rarity. You also notice that Phil’s voice actually is sounding pretty good tonight. Then, right into Foolish Heart, a relatively new song. You’ve only heard it a few times, but there is something unique and backwards about Jer’s melody lick intro. It sounds backwards, simple, but backwards and light. This song is growing on you. This version gets really airy for a few minutes on the jam and wonderful keys at the end. And we simply fall into LLR. LLR always brings you back to the one that slipped away. You smile to yourself, hugging your arms around your body…thinking about her (or him). She would’ve loved this…loved being here, on this beautiful night, sharing this beautiful experience with you, holding each other and rocking back and forth together to Bobby’s crooning of this gorgeous love song. Then you realize that you’re on drugs and how much she really sucked most of the time. Wow, I’m glad that thought was brief. Anyway, in your mind, you thank her for the great experience, and smile. »»the opening chords of Terrapin…and away we go. RFK’s Terrapin last week was solid, you expect this one to be very, very big. Jerry tells the story, you sing along. You look around at the folks next to you. Everybody’s in the groove. The night is right, everyone knows it. Jerry and the boys build and retract over and over and over and over. Climbing step by step up the mountain. Jerry’s riffs get tremendous and powerful! Huge and Dynamic, the band continues to construct around the theme. Into Drums>Space…you run quickly to the bathroom and to grab your spot in the beer line. You run into Michigan girl (Indiana girl isn’t with her…bummer), and share a sweaty hug and “damn good show, huh?” You hear jerry and bobby drop into a very intricate opening to Other One. You almost piss yourself in excitement. YOU LOVE THIS SONG! WHY, BECAUSE YOU’RE ON THE FUCKIN’ BUS RIGHT NOW!!!! You got on at Giant in NY and have been riding for two weeks. A perfect way to end two weeks of tour. Everybody’s had one of those epiphany moment’s when the band plays the exact lyric at the exact time you need to hear it. Your epiphany is now. You notice the clouds give way to a full moon directly over the stage. More Cheers! Jerry has extreme control over his midi effects tonight and he sounds a little like a trumpet, as he rifles through that famous melody. It’s like he’s played it millions of times. Although, not your typical blast-me-in-the-face Other Ones, this leans more in some parts to a jazzier feel. Jerry goes in and out of the horn sounds. Very tight transitions on the vocals. Then you get brought back down with the opening to a short Wheel, setting your feet on the earth, you notice the grass between your toes, and you think to yourself, “where did I leave my birks?” Whatever, I know they’re around here somewhere. I’ll find them at the end of the show. As if perfectly placed and timed, the opening riff of Morning Dew…you drift off again into the Lala Land in your head. You do a quick song count to see where we are in the set. We’re almost done…you think probably one more fast one after this to close out the set. Jerry’s vocals bring you back immediately with his screaming and wailing on the “young man moan” verse. He actually does moan and then lays into one of the most soaring solos of the evening. Looks like this will be the last song in the set. The band waves at us and leaves the stage. Hugs everywhere!! They come back on to cheers and we here the upbeat strum of a Lovelight encore. You think to yourself…not my first choice, but I can dig it, and you fall into the groove, bouncing your shoulders forward and back, and with reckless abandon you just let it go and dance like nobody’s watching… AND YOU THINK TO YOURSELF, I LOVE THIS PLACE RIGHT NOW!! I AM EXACTLY WHERE I’M SUPPOSED TO BE!!
This would be the last run the Dead would play at Alpine. They were at a peak…and you were there. :)
Plug it in here:
07-19-89 Alpine Valley Music Theatre, East Troy, Wi. (Wed)
1: Bucket> Sugaree, Mama Tried> Mexicali, Althea, Victim, West L. A., Desolation Row> Deal
2: Box Of Rain, Foolish Heart> L. L. Rain> Terrapin> Drumz> Other One> Wheel> Morning Dew E: Lovelight
“Box Of Rain” appears on “Fallout From The Phil Zone”
Wishing one of the absolute finest people in the world the Happiest Birthday ever this past week!! MATT BLUM!!! If you have or have had the honor of knowing him, thank your higher being, because he’s basically the shit. I love you, little bro. You’ve been with me through thick and thin, and I appreciate you in a big, big way. Wishing you many, many more years filled with peace, love, and prosperity.
You guys mean everything to me. Wherever this weekend finds you, may it be safe and exactly what you were looking for.
Enjoy! And thanks for coming with me to therapy today.
m-
Morning, Freaks!!
In honor of the first trip for the well traveled mattsimpson to our fine state of South Carolina, I figured I’d pick a show based on that theme. The extent of my Dead knowledge is limited, but I believe that they only played the capital city one time. Riddle me this? Do you think it was because we fly the confederate flag high atop our state capital (it’s heritage, not hate, brah), or do you think Mickey and Phil just had a hankering for the some good ole SC barbecue and “sweeter than sweet tea” southern women? Guess that mystery will remain unsolved. Maybe they were just looking for Jerry’s future beach house on the be- u- tiful Kiawah Island.
This Halloween show is nutzo! A little heavier on the sound effects than the playing. Not a lot of show notes to discuss. Halloween shows in general seem to be novelties. More about the visual than the audio.
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