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Phil Lesh and Phriends
April 17, 1999 - The Warfield, San Francisco, CA
This is a Dead Phish jamwich of some seriously large proportions!
Bob Marley & The Wailers - 7/3/1975 - The Boarding House - San Francisco, CA
Bob Marley is a poet. He was one of the most prolific songwriters in the history of music. While Kinky Reggae isn’t a priceless example of his songwriting by any stretch, I urge you to take a minute and listen to the pure jamacian funk, and listen to how passionate Bob is about his family. His band.
Ten years ago this week was the legendary three day Phil & Phriends run at the Warfield. Phil Lesh was joined by Steve Kimock, John Molo, Trey Anastasio, and Page McConnell. If you haven’t seen this vid before, it’s about an hour and forty minutes long with highlights from the first night (4-15-99). It includes “Viola Lee Blues”, “Big Railroad Blues”, “Row Jimmy”, “Shakedown Street”, “The Wheel”, “Not Fade Away”, and “Mr. Tambourine Man”.
Intro > Cryptical Envelopment > The Other One > Cryptical Envelopment Reprise > New Potato Caboose > Doin’ That Rag > Cosmic Charlie - Grateful Dead
3.1.69 - Fillmore West, San Francisco, CA
I tried to post this earlier in the week, but pulled it down due some clicks between tracks that would cause streaming to stop. I tried to cut out the clicks. Cross your fingers.
Full first set of this early GD performance. The sound is amazing. Play it loud. When you hit The Other One, you’ll be glad it’s cranked.
Stella Blue - Grateful Dead
2.23.74 - Winterland Arena, San Francisco, CA
1974 is probably my favorite year of The Grateful Dead. It’s unique in that there is only one drummer (Billy K), and finds the band at the peak of their original musical aesthetic defined from 1965-1974. The band’s future also had a great deal of uncertainty surrounding it due to mismanagement of their assets by a corrupt manager, huge expenses due to their experiment with The Wall Of Sound, and general frustration that after ten years and having established a loyal following the band could not make a comfortable living doing what they loved.
In the midst of all the chaos, the band played a number of spectacular shows in their familiar Bay Area stomping grounds at The Winterland. The band would close the 1974 tour with a 5 night run from October 16-20 there as well. These shows feature the band playing at their emotive peak, and are well documented as part of the Grateful Dead Movie. This Stella Blue comes from a great two night stand in Februrary. For me, Stella is the ultimate Jerry ballad. It’s beautiful, full of soul, and Hunter’s lyrics really speak to you.
How Many More Times - Led Zeppelin
1.10.69 - Fillmore West, San Francisco, CA
In late 1968, The “New Yardbirds” officially changed their name to Led Zeppelin, signed a contract with Altantic Records in the U.S. in prepration of the release of their just-recorded Led Zeppelin I, and planned their first U.S. tour to conincide with the album’s release. Opening for Vanilla Fudge, the band embarked upon a twelve-date North American tour, playing in the U.S. as well as Toronto. The success of the tour in combination with the raw (if not taboo) sound of what many describe as the first heavy metal record propelled Zeppelin to stardom across the world and quickly inspired the band to plan and record Led Zeppelin II.
“How Many More Times” is the epic finale to Zeppelin’s debute album, consisting of numerous (albeit similar) composed sections, strung together with the use of a bolero rhythm. Much of the piece comes from “Beck’s Bolero” recorded by Jeff Beck with Jimmy Page, John Paul Jones, Nicky Hopkins, and Keith Moon playing on the original track. While “Beck’s Bolero” is often credited as the beginning of both heavy metal and progressive rock, Zeppelin’s more polished version took the heavy metal ideals of Beck’s composition and brought it to life with more focus and creativity in a live environment.
There’s considerable contention as to who actually wrote the original, with Beck often insisting that he wrote it (although Page is officially credited with writing and arranging the song). In a 1995 interview with Best of Guitar Player, Beck says, “This is what it was: He hit these Amaj7 chords and the Fm7 chords, and I just started playing over the top of it. We agreed that we would go in and get Moonie to play a bolero rhythm with it. That’s where it came from, and in three or four takes it was down. John Paul Jones on the bass. In fact, that group could have been a new Led Zeppelin.”
Ultimately the song was a major force behind the “new” Led Zeppelin.
California Uber Alles - Dead Kennedys
1979
Mabughay Gardens, San Franciso, California
Next month I celebrate my 20 year high school reunion. It has inspired me to seek out my favorite music from that time. Dead Kennedys were definitely a big part of that. In fact, DK was in a special class for us; they rocked AND had something important to say. There was a lot of that in the 80s and I don’t see it much any more. It’s sad. Where is our modern day Jello Biafra? Our Bono? Aren’t there any bands out there who can raise our voice for things that matter? As I’ve gotten older I may not share as many views with Jello Biafra, but some…and regardless I still respect him. I remember an episode of The Today Show when some ladies were on reading quotes from “I Kill Children” and “Kill the Poor,” appalled at the lyrics. And you know, this is right when I’m reading “A Modest Proposal” in English class. Surreal.
Here is classic DK. It cannot be more political. It is an outright lyrical assault on then California Governor and presidential hopeful, Jerry Brown. This isn’t the best audio among the songs from this show but its rawness is exquisite. What’s with the green rubber glove? And Jello looks like a graduate from the Charles Manson School of William Shatner Method Acting. Check the Goose Step > Zen Mediation bit at the end which sums up the whole song perfectly. And how bad does it suck when your mic chord pops right at the first chorus?! That’s live DK 1979, baby. That’s good shit.
P.S. Check out this hilarious cartoon version.
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