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Golgi Apparatus > Slave - Phish
8.17.96 / The Clifford Ball / Plattsburgh AFB, Plattsburgh, NY
Mike’s Song > Simple > Contact > Weekapaug Groove - Phish
8.16.96 - The Clifford Ball, Plattsburgh AFB, Plattsburgh NY
While the announcement of June tour dates was the buzz this week, did you notice the pre-order announcement for the Clifford Ball DVD box set? If you pre-order, you will be entered in a drawing to win one of 5 pairs of tickets to all three nights in Hampton! What are you waiting for?
We have an exclusive video from the soon to be released 7 DVD box set of The Clifford Ball!
From JEMP records:Last fall, when members of Phish—guitarist Trey Anastasio, drummer Jon Fishman, bassist Mike Gordon, and keyboardist Page McConnell—announced the band would take the stage again for the first time in four years, tickets for the three-night stand at Hampton Coliseum in Virginia sold out immediately. This month, the band announced additional dates, marking a return to the road for one of the most successful touring bands of all time. Tickets for this second touring leg go on sale this weekend.
JEMP Records and Rhino start the celebration a few days before Phish’s highly anticipated March shows with a 7-DVD collection documenting The Clifford Ball, a landmark concert event that drew more than 70,000 fans to upstate New York in August of 1996. It was the largest concert event of 1996 in North America and set the tone for music festivals including Bonnaroo and Coachella.
The Clifford Ball was the first of seven two-day spectacles the band staged, which included The Great Went a year later, followed by Lemonwheel in 1998 and culminating in Big Cypress—the largest ticketed event in the world for the millennium celebrations, drawing over 90,000. The Clifford Ball was held in Plattsburgh, New York, at a decommissioned air force base, during which Phish played two marathon concerts which include several on-stage guests.
The DVDs contain all three sets and encores the band played each night, along with bonus footage—more than 9 hours of live improvisation. The bonus DVD presents choice rarities including a soundcheck from August 15, their “Flatbed Jam” performed in the wee hours of the morning on the back of a truck, an interview with longtime Phish artist Jim Pollock, interviews with Phish and more.
The Clifford Ball DVD Preorder is currently ongoing at Phish Dry Goods.
Tweezer > A Day in the Life > Possum > Tweezer Reprise - Phish
08.17.96 - The Clifford Ball, Plattsburgh NY
I don’t know if I have been this excited about Phish in over 10 years. Next week, Phish is releasing the DVD box set of their monumental festival, The Clifford Ball, which just happens to be my first show(s). Oh, and you thought I was all giddy over Hampton? Ok, I confess - I’m giddy about both.
I’m a little lucky and got my hands on a copy of the box set early and am writing this post as I watch the DVD version of my audio post. Before I begin my recollection of this life-changing weekend, do yourself a favor and buy yourself this piece of Phishistory. You will not be disappointed.
I went to college in 1989, and am from the South. Almost instantly after I left home, I started listening to the Dead and caught my share of Dead shows from ‘89 to ‘95. I also became a fan of Widespread Panic and began seeing them in ‘92. I had many friends encouraging me to see Phish back then. I didn’t listen. I was too busy caught up in the Dead and Panic. I did buy Rift when it came out in ‘93. I liked it, but I didn’t love it. It took me about 2 to 3 years to love it. I just didn’t get Phish at first.
In 1995, I found this crazy thing called the internet. My oldest memories of the internet were finding out about Jerry’s death and learning of the Clifford Ball. Every afternoon, I’d visit the computer lab at my place of work to check out the messages from rec.music.gdead on the green screen. In the Spring of ‘96, most of my time online was spent setting up tape trades or reading sob stories about Jerry. I stumbled upon a post about this Phish festival in upstate New York. There was such an anti-Phish vibe on rec.music.gdead back then, which I never could understand and luckily never agreed with. So even though I wasn’t that into Phish at the time, the Clifford Ball seemed intriguing. It could also fill a big void. It had been a tradition every summer for our crew to see the Dead at RFK. Instead of letting our annual summer trip die with the Dead, why not kick up a notch?
I managed to rope in five others, all good friends, but I wouldn’t say that we were the best of friends at that time in our lives. Five of us left from Annandale, VA around 11pm the night before the first show in two cars - a maroon Honda Accord and white Acura Legend. We drove all night to New York state so we could pick up the 6th member of our crew (Sparky). I took the late night shift along with the owner of the Acura (who we like to call Phatback). It was a beautiful trip through a part of the country I had never seen. We were wide awake on pure excitement (ok, maybe some caffiene), but the excitement was different than any other RFK trip before. I was excited about a new experience, a new script, a new scene.
Sometime in the early morning we arrived at Sparky’s place of residence. He was working in upstate New York, living out of a hotel. I have no memory of where in New York, but I do recall crashing for about an hour before hitting up the local grocery store for lots of beer and bacon (plus a few other things). We rolled into the de-commissioned Air Force Base sometime in the middle of the day on the 16th. We were blown away instantly. I have the videotape to prove it, but unfortunately it’s still on VHS instead of YouTube. It was unlike anything I had ever seen at any concert/festival before.
We parked on the tarmac with about 4 hours to explore before show time. I was amazed with the lack of security. Keep in mind that my perspective at the time was the Dead parking lots from 1995, which was not a good scene at all. Lots of people were at Dead shows just for the buzz and not for the show. Thus, there were lots of cops there too. I couldn’t believe some of the things I saw in the lot at the Ball. Three foot bongs in broad daylight in the middle of the lot. That shit would never fly at any summer tour stop for the Grateful Dead. Of course, that would change quickly in due time. Two years later, I’d see helicopters circling the Merriweather Post parking lot after a show.
I was probably familiar with one-fourth of the songs that Phish played at the Clifford Ball. Here was another contrast with the Dead and Panic shows I had seen in the years before. I knew about 98% of the songs played at those shows, but it didn’t matter here. I was taken aback by the energy from the band and the crowd. It was on a whole new level that I had not seen before at any other live show. Phish was actually having fun! You could see it on their faces through the big screens, and I see it again on the DVDs. It was refreshing.
The concert grounds were also like nothing I had ever seen before. Ball Square (the town square, which I should not have to explain - just buy the box set if you don’t know what I am talking about), Earth Wind and Fire (the names of the three beer gardens), and Mr. Sausage (a sausage vendor) were parts of an elaborate playground inhabited by 70,000 phishheads and the occasional man on stilts.
The performance was phenomenal. As I watched the first set of the first show today, I was reminded of how “on” they were at this time in their career. 1996 is often overlooked in Phish history because of 1994 and 1997, but the fact that they delivered one of the best sets in Phish history right off the bat in front of the largest crowd that they had ever played for proves that Phish was at the top of their game in August of 1996. The jams in Gin and AC/DC Bag are face-melting, and the Divided Sky at sunset over the Adarondacks was, well you had to be there.
I watched all of second set, day one from Fire (or was it Wind?) slugging beers and watching the big screens. This set had great balance. Following a four song acoustic mini-set that highlighted their upcoming Billy Breathes release with a monster Mike’s > Simple > Contact > Weekapaug was a perfect combination.
On the final set of day one, I was introduced to 2001. Whoa. Another new frontier reached this weekend.
What a day. What a first Phish show. I was tuckered out. Time to fall asleep in the Honda accord. Unfortunately, I missed the flatbed jam.
Day two was just as wonderful as day one, if not better. We woke up to a small rain shower, but the skies cleared in the late morning. Bacon grease was flying as hangovers were wearing off. The show started earlier with an afternoon set to make room for the “Clifford Ball orchestra”, who would play just before and at sunset. Of course, our crew thought that was just a cover up for a guest performance by the one and only Carlos Santana.
TheButterRoom.com: It’s Ice - Phish [8/17/96] from The Butter Room on Vimeo.
The second set from Day two is the musical highlight of the festival. It’s been often called the best set in Phishistory. I’m not going to agree or disagree with that statement. I just know it was damn good. Lucky for us fans, a video of this set was leaked shortly after the shows, named “Jimmy’s Dream”. The quality sucked, but we don’t need to worry about that now. The Slave to close this set might have been the musical highlight of the weekend for me. This Slave along with the one from A Live One are the two best Slave’s I’ve ever heard. Hands down.
As the night ended, reality set in. We had to hightail it in the early morning to get one member of our crew to Albany for a flight so he could make it to VASAP class in Richmond. Well, even with a dead battery, we somehow managed to get him on his flight. So what if we had to drive 90 mpg the whole way south to Albany?
The Clifford Ball is one of the few shows that I was truly able to appreciate the epicness of while in the moment. But, it even resulted in something much greater. I saw Phish 16 more times over the course of the next 2 years. So, obviously The Clifford Ball is where and when I began to love Phish. But more importantly, it built the foundation for lifelong friendships with the people that joined me on the Clifford Ball and later festivals. It truly changed my life in a couple ways, and for that I am thankful. See you at Hampton.

I often find it hard to explain to people - be it friends, family, colleagues, strangers - why Phish is my favorite band, why I see them as much as I possibly can, and why I love their music and community.
A major reason for my devotion stems from my first festival experience when I was 18 years old. I had just graduated high school, and road tripped by myself from Indiana out to Pittsburgh, Philly, and then all the way up to Limestone, Maine for the IT festival. Over 70,000 people showed up, and I was just one of them.
It took me 27 hours to get from Philadelphia to my parked spot on the abandoned runway. I knew no one there (at the time), and I was a n00b having seen less than 10 shows. Yet, everywhere I went, I met wonderfully nice people who took the time to get to know me, congratulate me on going to such great lengths on my own, and just sharing in what they already loved.
A few really nice people brought me up to the rail and I saw both days from the first few rows, in total awe of how far I’d come all by myself, how great the music was, and how unique the culture was. It was a life changing experience, a rite of passage, almost as if I’d opened up a door where so much could be found.
Since then I’ve made countless friendships through Phish and their music, and continue to almost everywhere I see them. Because of Phish there is The Butter Room, and because of The Butter Room, I now have dozens more friends that I never would have met or known about any other way. It’s also opened up some great business opportunities in the last year that most people wouldn’t think exist in some pseduo-hippie community that many think centers around drugs (which is simply not true).
And unlike the last festival which was supposed to be the band’s final concerts - and turned out to be a complete and utter disaster resulting in me walking over 15 miles - this weekend will undoubtedly go down as a success on many different levels.
Over the past week, Sirius has been running “Festivalography” which is a radio documentary with interviews from the band members and music from the various festivals. Part one tackles the band’s first two festivals, and over the next 3 nights I will be posting the remaining episodes, leading up to this weekend’s first ever Halloween festival.
Even if you’re not a Phish fan, have a listen because I think you’ll find that there’s a unique cultural aspect in their festivals that exists nowhere else today - or over the past 15 years. No other band can throw a festival of their own, gear the experience to their own community, and foster such positive and meaningful experiences for all involved. It’s incredibly special and I’m so excited for the music and memories that I’m going to share with many of my close friends.
(via trappedintime)
Sample In A Jar - Phish
8.17.96 - The Clifford Ball, Plattsburgh, NY
How about a little reflection on this Phish Friday? This video is from one of the highest points in Phishtory, a period that may never be matched - at least not in the same vein - again. But if you’re a Phish fan, take a moment today to reflect on the past year.
A year ago we didn’t know what to expect, we didn’t know if they could even make it back. Hampton had yet to unite the fanbase in person once more, the band hadn’t played a summer tour since their farewell in 2004, and the thought of a festival still made most of us cringe. And yet now we’ve all been able to share in a fun summer tour, a festival in the desert surrounding Halloween, a scorching fall tour, and a New Year’s run that seemed to tie it all together while pointing to the future. It finally feels like they have their legs under them again, playing with a renewed confidence and new identity that could only come from perseverance and their own shared experiences.
And while to the world at large - and even huge live music fans - it’s hard to pinpoint why we could care so much, but if 2009 proved anything, it’s that Phish is still a unifying tour de force with the most amazing and unique community of people surrounding the music.
Over the next couple months both Mike and Trey will tour around with their own projects, perhaps with more enthusiasm surrounding them than prior to Phish’s return. New songs will be written, chops will be honed even further (Trey is certainly killing it early on his solo tour), and in a few months as the weather warms and the collective itch returns -presumably early June if you believe the rumblings - the band will come together to hold celebrations all across the country. You just have to feel lucky!
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