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Join Martin as he takes us along to his weekly therapy session with the Grateful Dead. Read More >>
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One of my favorite Grateful Dead sites is deadlistening.com. This past week they featured 2/26/77 from the Swing Auditorium in San Bernardino, CA, site of the first ever Terrapin (to open the show no less).
This was one of my favorite tapes back in the day. Take a listen to the stream below for a pure treat and read the review over on deadlistening.com.
Here is something a little different for Grateful Dead Sundays from the Georgia Theatre. Most live music fans know about the fire that destroyed this classic venue earlier this summer. You can help with the rebuilding efforts by donating to the cause on the Georgia Theatre website.
Posted in honor of the anniversary of Brent Mydland’s death 19 years ago today …(July 26th, 1990). R.I.P. my friend.
Morning, Freaks!
I’d like to give a heartfelt welcome to the boys of The Butter Room this morning. I’ve added you to the distro list for this one time trial. Dead Fridays is a little therapy session that I send out on Friday mornings, mainly for my own therapy. It doesn’t matter where I’ve been in life, the Dead have always been a constant. When I’ve been on top of the world, they were there. When I hit the bottom, they were there. When things were in line and perfect, they were there. Through heartbreaks, struggles, and confusion, they were there. Maybe they’re a bunch of guys who play instruments, maybe they’re a celebration of life. If this isn’t your thing, kindly mash delete.
Based on last night’s poker game debacle, I probably should’ve found a show with this segue: Deal>Loser. I suck at poker and need to take up another hobby. Instead, for some reason I picked this one.
This was one of my first tapes. It’s funny how memories are so tied to music. My sophomore year of college was a time of new experiences. It was my first time living away from home, my transition from college/80’s brit rock to music of ‘60s San Fran, my first time tripping on psychedelics, and my first “girlfriend”. This girl used to snap, and I would be on the bus out to her place. I think they were some sort of off campus school owned apartments, and I’d have to catch a bus from my dorm. I’d get on the bus with my long hair and tie dyed shirt, and throw the second set XL-II 90 tape of this show into my walkman (fuck you , it was the 80’s). My tape didn’t have the first 3 songs on it, it would start MSWS>He’s Gone and I would get dropped off at the corner near her house as it was going into Other One. I cannot even tell you how many times I listened to that combo that fall. I thought I was so in love with this girl. I didn’t know she was everybody else’s girl, too. So naïve…isn’t living and learning awesome? Marnie, if you’re out there somewhere, I hope you drive your Porsche into a ditch…just kidding/not really.
First set doesn’t have a whole lot to say, although it’s tight and heartfelt. The front porch bluesy slide in Down in the Bottom>Superstitious is an interesting addition and is pulled off nicely. The real love comes in Looks Like Rain and Bobby represents in his Op corduroy nut huggers. Also, notice the interesting train combo of Tons of Steel, Big RR.
Second set is distant and spacey. All of the transitions are weird. Jerry’s kind of on his own trip, and everybody else just follows along in support. He’s Gone is simply amazing and by far my favorite ever. It’s not like the others. Listen specifically to Jerry’s first solo and the way he slides the notes and phrasing around. It’s like he’s telling a story. Granted it’s undeniably mid-80’s in style. In fact, the whole show is signature mid – 80’s…you can feel the pain and depth in Jerry’s playing and singing. His health was so questionable at the time, and you can hear it in his playing. Harmonies are tight all the way through on this great and often overlooked show.
04-14-85 Irvine Meadows Amphitheatre, Irvine, Ca. (Sun)
1: Touch> Bucket> Sugaree> Bottom> Superstitious, B. E. Women, Tons Of Steel, Big RxR Blues, L. L. Rain> Don’t Ease
2: Miracle> China Cat> I Know You Rider, Woman Smarter> He’s Gone> Drumz>Space >Mr. Fantasy> Other One> Wharf Rat> Sugar Magnolia E: Gloria
Enjoy! And thanks for coming with me to therapy today.
m-
Easy Wind - Grateful Dead
2.21.71 - Capitol Theater, Port Chester, NY
One of my favorite aspects of the Grateful Dead’s long and illustrious career is the early, blues-driven material. Much of this holds a special place in my heart, largely because of Ron “Pigpen” McKernan, and his wonderful vocals, harmonica, and work on keyboards. A founding member of the Dead, Pigpen grew up with strong R&B and blues influences. His father was a R&B disc jockey, a rare thing for a white guy from northern California in the late ‘60’s.
Pigpen quickly caught on to all aspects of the blues lifestyle, especially drinking hard. His last show with the Grateful Dead was in 1972, and he died of internal hemorrhaging due to his excessive drinking on March 8, 1973. Yet his desire for the Dead to be a rock and roll band is very much ingrained in the sound Jerry, Phil, Bobby, and Billy carried forward after his passing, and his playing on their late ‘60’s and early ‘70’s material is outstanding by any measure. His vocals on this rather rare Dead tune (written by Robert Hunter) are stellar.
Mystery Train - Jerry Garcia & Merl Saunders
11.10.74 - Palace Theater, Albany, NY
This is the second post we’ve shared in the past week from Albany’s Palace Theater, this one coming 18 years before Phish played their ‘92 own November show. It’s hard to believe that both of these two greats are no longer with us. Enjoy this wonderful cover of Elvis Presley’s “Mystery Train.”
Jack-a-Roe - Grateful Dead
5.18.77 - Fox Theater, Atlanta, GA
Here’s another one of my favorites from the famed May ‘77 run. These guys really knew how to package all of their sounds without making it too crowded. I believe the sound crew was just as responsible as the musicians. This recording is a great example. Enjoy!
15,000 fans packed the John Paul Jones Arena on the campus of the University of Virginia last Wednesday to see the former members of the Grateful Dead along with Warren Haynes and Jeff Chimenti navigate their way through the Dead’s (almost) 45 year collection. Like most of the post-Jerry shows, the set list was fantastic.
Set 1
Imagine seeing that set list twenty years ago? But, I’m not here to write about the past. My partner in crime for the night and so many other Dead shows in the early 90s, was the Butter Room’s own Sparky. We had planned to buy tickets off scalpers. With over 60 shows between us, we just didn’t feel like forking over the big bucks. But then, we scored second row tickets last week thanks to a late-breaking ticket release and I became awfully excited the days leading up to the show.
We pre-gamed with the co-founders of SHREDHED at a fine local establishment, and crammed 6 big dudes into one tiny taxi cab. After another cramped experience waiting to get in line, which closely resembled Phish @ Hampton, we rushed to get some beers and to our seats since it was already past show time. We settled in during “New Speedway”, and started to soak it all in.
First set was really unlike any other first set I’ve seen before by the Grateful Dead, the Dead, Ratdog, or Phil and Friends. With the exception of the SOTM set closer, all songs played were written before the year I was born - 1971! Bobby took lead vocals on “New Speedway”, “Big Boss Man”, and “SOTM”. Warren sang lead on “High Time” and “Doin’ That Rag”. “Bertha” and “Mason’s Children” were shared. My favorites from the first set? “Bertha”, “Doin’ That Rag”, and “Mason’s Children”. Don’t take my word for it though. Here is a video we shot of “Doin’ That Rag”.
Overall, I thought set one was a little disjointed and ended on a low note. I never felt that the Dead got into a groove, and “SOTM” is just one of those songs I would prefer they not play. It’s one of those sacred Jerry songs in my opinion. Don’t get me wrong, it wasn’t horrible. I just didn’t get that warm fuzzy feeling during set one.
Set two got off to a solid start with “Playin’ > Crazy Fingers”. Sparky and I called “Playin’” only because we both used to get “Playin’” all the damn time back in the day. “Crazy Fingers > Drums > Space > St. Stephen” was the highlight of the night. I’ve never been a huge “Crazy Fingers” fan, but tonight it was the shiznit and was worthy of my loudest hoots and hollers of the evening. Phil’s bombs along with Warren’s licks were in perfect synch. It was pure enjoyment. Another surprise for me was the Drumz/Space segment. Typically a point in time I use for a piss break, it came early - real early in the set (25 minutes in). The sound was crystal clear where we stood, and that made the Rhythm Devils a special treat. Coming out of Space was “St. Stephen”. Of course, like many other Deadheads, I always wanted to see this live back in the day. The closest I ever got was the RFK ‘95 soundcheck. I thought they delivered the goods during “St. Stephen” with a nice jam in between verses, teasing “The Eleven” so much that I prematurely twittered that as part of the set list before they actually did break into the song. “The Eleven” is one of my all-time favorite Dead tunes, but I just can’t get into these late 90’s/2000’s versions. I will always be stuck in the past on that tune. Live / Dead had too big of an impression, I guess.
The remainder of the set and show was filled with great selections. Everyone in the stands was singing along the loudest during “Half-Step”. I did like the “Foolish Heart”, and thought it was a bit ironic that this was the set 2 closer considering it was the first song I ever saw the Grateful Dead play live. Finally, “Gloria” was fun to see. Beats the usual “Lovelight”, “NFA”, “Good Lovin”, “Saturday Night” or “Sugar Magnolia” closers for me. Based on Bobby’s facial expressions, I think they butchered it a bit. My ears couldn’t tell at this point. It was almost midnight and my senses were not at their sharpest. Guess I will have listen to the tapes.
Whether you are an old vet or were too young to see the Grateful Dead back in the day, I recommend you check this tour out. The crowd and the band are much more more energized than in 1995, and that’s special to see in person. I’m sure as the tour moves along, any remaining rust will wear off and the performances will get even better.
You can check our pics from the show on flickr.
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